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The baritone is pitched in concert B ♭, meaning that when no valves are actuated, the instrument will produce partials of the B ♭ harmonic series. Music for the baritone horn can be written in either the bass clef or the treble clef. When written in the bass clef, the baritone horn is a non-transposing instrument.
E ♭ alto/tenor saxhorn: alto/tenor horn; B ♭ baritone saxhorn: baritone horn; The B ♭ bass, E ♭ bass, and B ♭ contrabass saxhorns are basically the same as the modern euphonium, E ♭ bass tuba, and BB ♭ contrabass tuba, respectively. Historically, much confusion exists as to the nomenclature of the various instruments in different ...
This family includes all of the modern brass instruments except the trombone: the trumpet, horn (also called French horn), euphonium, and tuba, as well as the cornet, flugelhorn, tenor horn (alto horn), baritone horn, sousaphone, and the mellophone. As valved instruments are predominant among the brasses today, a more thorough discussion of ...
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The marching horn is also normally played with a horn mouthpiece (unlike the mellophone, which needs an adapter to fit the horn mouthpiece). These instruments are primarily used in marching bands so that the sound comes from a forward-facing bell, as dissipation of the sound from the backward-facing bell becomes a concern in open-air environments.
The modern standard orchestral horn is a double B ♭ /F horn. The player can switch between the two modes using a thumb-operated fourth valve. The fundamental pitch of the F horn is near that of the tuba. Horn notation is a complex subject beyond the scope of this article, but what is written as middle C for the horn is the fourth harmonic of ...
Closed (i.e. muted by hand) (for a horn, or similar instrument; but see also bocca chiusa, which uses the feminine form) coda A tail (i.e. a closing section appended to a movement) codetta A small coda, but usually applied to a passage appended to a section of a movement, not to a whole movement col or colla
However, playing a 3rd space C (F-horn, open) and repeating the stopped horn, the pitch will lower a half-step to a B-natural (or 1/2 step above B ♭, the next lower partial). The hand horn technique developed in the classical period, with music pieces requiring the use of covering the bell to various degrees to lower the pitch accordingly.
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