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There are many types of and methods used in making Aboriginal art, including rock painting, dot painting, rock engravings, bark painting, carvings, sculptures, weaving, and string art. Australian Aboriginal art is the oldest unbroken tradition of art in the world. [1] [2] [3]
Papunya Tula, registered as Papunya Tula Artists Pty Ltd, is an artist cooperative formed in 1972 in Papunya, Northern Territory, owned and operated by Aboriginal people from the Western Desert of Australia. The group is known for its innovative work with the Western Desert Art Movement, popularly referred to as dot painting.
His early work was in the flowing "dot" style of painting typical of the Papunya Tula artists. His style became different during the late 1990s, and began to paint rigid rectangles, replacing dotted lines with thick, solid lines. [3] His first exhibition was in 1997, for the National Aboriginal and Torres Strait Islander Art Award in Darwin ...
Wenten Rubuntja AM (c.1926 – July 2005) was an Aboriginal Australian artist. His early watercolour paintings are typical of the Hermannsburg School of art, while his later work includes dot painting. He was also an Aboriginal rights activist who worked on the Central Land Council in the Northern Territory for several years.
Contemporary Indigenous Australian art is a national movement of international significance with work by Indigenous artists, including paintings by those from the Western Desert, achieving widespread critical acclaim. Because naming conventions for Indigenous Australians vary widely, this list is ordered by first name rather than surname.
Trevor Nickolls (8 June 1949 – 29 September 2012 [1]) was a Ngarrindjeri Aboriginal Australian artist, known for his high-key acrylic paintings juxtaposing Western Desert 'dot-painting' and Arnhem Land 'cross-hatching' with western symbolism.
Several dots of paint in various colors cover the painting. The painting depicts a large number of women, represented by semicircles, sitting around ceremonial sticks, represented by the long rods. The central wavy lines depict flowing water and the concentric circles in which they converge represent a waterhole.
The paintings were considered very beautiful and were "built up through mesmeric grids of vibrating dots and splayed lines, where intense color contrasts are studded and overlaid with iconic figurative elements: bush tucker of all sorts, tools for food gathering, and the ever present Mardoowarra".