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Titian paintings on display in the Museo del Prado (from left to right: Danaë and the Shower of Gold, The Worship of Venus, The Bacchanal of the Andrians, and Venus and Adonis) This incomplete list of works by Titian contains representative portraits and mythological and religious works from a large oeuvre that spanned 70 years. (Titian left ...
Tiziano Vecellio (Italian: [titˈtsjaːno veˈtʃɛlljo]; c.1488/90[ 1 ] – 27 August 1576), [ 2 ] Latinized as Titianus, hence known in English as Titian (/ ˈtɪʃən / ⓘ TISH-ən), was an Italian Renaissance painter, [ a ] the most important artist of Renaissance Venetian painting. He was born in Pieve di Cadore, near Belluno. [ 4 ]
Penitent Magdalene (Titian, 1550) Pilgrims at Emmaus. Portrait of Eleonora Gonzaga della Rovere. Portrait of John Frederick I, Elector of Saxony.
The painting was included in the 1857 Manchester Art Treasures exhibition. [12] From August 12, 2021, to January 2, 2022, the Isabella Stewart Gardner Museum displayed all six Titian poesie in an exhibit titled Titian: Women, Myth & Power. [13] It was the first time since the 16th century that the six paintings were physically united. [14]
Bacchus and Ariadne (1522–1523) [1] is an oil painting by Titian. It is one of a cycle of paintings on mythological subjects produced for Alfonso I d'Este, Duke of Ferrara, for the Camerino d'Alabastro – a private room in his palazzo in Ferrara decorated with paintings based on classical texts. An advance payment was given to Raphael, who ...
The painting was made by Titian for the Sala dei Baccanali in the Camerini d'alabastro for Alfonso I d'Este, after The Worship of Venus (1518–1519) and Bacchus and Ariadne (1520–1523) and Titian's intervention on The Feast of the Gods by Bellini in 1524–1525 where he retouched the landscape to match the style of the other paintings.
Titian paintings on display in the Museo del Prado (from left to right: Danaë and the Shower of Gold, The Worship of Venus, Bacchanal of the Andrians, and Venus and Adonis) Although the best surviving examples of the Farnese or two-dog type appear to be at least as late as the Prado type, it may be that this was the original composition.
The Assumption of the Virgin or Frari Assumption, popularly known as the Assunta, [1] is a large altarpiece panel painting in oils by the Italian Renaissance artist Titian, painted in 1515–1518. It remains in the position it was designed for, on the high altar of the Basilica di Santa Maria Gloriosa dei Frari or Frari church in Venice.
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