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The concepts of topical and focused crawling were first introduced by Filippo Menczer [20] [21] and by Soumen Chakrabarti et al. [22] The main problem in focused crawling is that in the context of a Web crawler, we would like to be able to predict the similarity of the text of a given page to the query before actually downloading the page.
Web archiving is the process of collecting, preserving and providing access to material from the World Wide Web.The aim is to ensure that information is preserved in an archival format for research and the public.
Computer music systems and approaches are now ubiquitous, and so firmly embedded in the process of creating music that we hardly give them a second thought: computer-based synthesizers, digital mixers, and effects units have become so commonplace that use of digital rather than analog technology to create and record music is the norm, rather ...
Digital music technologies are widely used to assist in music education for training students in the home, elementary school, middle school, high school, college and university music programs. Electronic keyboard labs are used for cost-effective beginner group piano instruction in high schools, colleges, and universities. Courses in music ...
Computational musicology can be generally divided into the three main branches relating to the three ways music can be represented by a computer: sheet music data, symbolic data, and audio data. Sheet music data refers to the human-readable, graphical representation of music via symbols.
Googlebot is the web crawler software used by Google that collects documents from the web to build a searchable index for the Google Search engine. This name is actually used to refer to two different types of web crawlers: a desktop crawler (to simulate desktop users) and a mobile crawler (to simulate a mobile user).
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A music sequencer (or audio sequencer or simply sequencer) is a device or application software that can record, edit, or play back music, by handling note and performance information in several forms, typically CV/Gate, MIDI, or Open Sound Control, and possibly audio and automation data for digital audio workstations (DAWs) and plug-ins.