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A contrast effect is the enhancement or diminishment, relative to normal, of perception, cognition or related performance as a result of successive (immediately previous) or simultaneous exposure to a stimulus of lesser or greater value in the same dimension. (Here, normal perception, cognition or performance is that which would be obtained in ...
The same accessible information can result in assimilation or contrast effects, depending on how it is categorized. When the accessible information to construct the representation of the target is used, an assimilation effect results, whereas accessible information used to construct the standard of comparison leads to contrast effects.
The combined concept of behavioral contrast is sometimes also referred to as the Crespi effect. In 1981, Bower discovered that positive contrast may be reduced because the response measure hits a ceiling. Thus, if contrast is the subject of an experiment, reward sizes may need to be adjusted to keep the response below such a ceiling. [5]
Contrast (vision), the contradiction in form, colour and light between parts of an image; Contrast (statistics), a combination of averages whose coefficients add up to zero, or the difference between two means; Behavioral contrast, a phenomenon studied in psychology (behavior analysis)
In discourse theory, and computational discourse, contrast is a major discourse relation, on par with relationship like explanation or narration, and work has concentrated on trying to identify contrast in naturally produced texts, especially in cases where the contrast is not explicitly marked.
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Given that an SMS message is at most 160 bytes in size, this cost scales to a cost of $1,310 [178] per megabyte sent via text message. This is in sharp contrast with the price of unlimited data plans offered by the same carriers, which allow the transmission of hundreds of megabytes of data for monthly prices of about $15 to $45 in addition to ...
The maximum contrast of an image is termed the contrast ratio or dynamic range. In images where the contrast ratio approaches the maximum possible for the medium, there is a conservation of contrast. In such cases, increasing contrast in certain parts of the image will necessarily result in a decrease in contrast elsewhere.