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Various cultural practices converged to bring about the pilgrim badge. Pilgrims had long sought natural souvenirs from their destination to commemorate their trip and bring home some of the site's sanctity. The earliest and still iconic pilgrim 'badge' was the scallop shell worn by pilgrims to the shrine of Santiago de Compostela.
This is a list of artists who were born in the Vietnam or whose artworks are closely associated with that country.. Artists are listed by field of study and then by family name in alphabetical order (review Vietnamese naming customs as the family name will display in the first name field, with exceptions including people of the diaspora), and they may be listed more than once on the list if ...
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Liang published Phan's 1905 work Việt Nam vong quốc sử (History of the Loss of Vietnam) and intended to distribute it in China and abroad, but also to smuggle it into Vietnam. Phan wanted to rally people to support the cause for Vietnamese independence; the work is regarded as one of the most important books in the history of Vietnam's ...
During the expansion of Vietnam some place names have become Vietnamized. Consequently, as control of different places and regions has shifted among China, Vietnam, and other Southeast Asian countries, the Vietnamese names for places can sometimes differ from the names residents of aforementioned places use, although nowadays it has become more ...
Between 1872 and 1889, many bridges were designed by the Eiffel company, created in 1863 by Gustave Eiffel, when Vietnam was part of the French Indochina.However, some works are inadvertently attributed to the Eiffel company, the Truong Tien Bridge was designed by the company Schneider et Cie and Cie de Letellier while the Long Biên Bridge was designed by Daydé et Pillé [], the latter ...
Ông Trời is referred to by many names depending on the religious circumstances. In South Vietnam, he is often called Ông Thiên (翁天). In Đạo Mẫu, he is called the Vua Cha Ngọc Hoàng (𢂜吒玉皇, Monarchical Father Ngọc Hoàng), as he is the father of Liễu Hạnh.
Phạm Hùng, Secretary of the Central Office of South Vietnam (COSVN), outlined the requirements about the ordered anthem: [1] [2] The anthem's targets were all of the population of South Vietnam. The anthem had to call for the armed insurrection against the US-backed Saigon regime and the unification of Vietnam as a whole.