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Bach performed the cantata in Leipzig's main church Nikolaikirche on 25 November 1731. [4] [7] According to Wolff, Bach performed it only this one time, although the 27th Sunday after Trinity occurred one more time during his tenure in Leipzig, in 1742. [5] Bach used the central movement as the basis for the first of his Schübler Chorales, BWV ...
Christ lag in Todes Banden BWV 4 Chorale cantata by J. S. Bach Soprano part from opening chorus with text in Bach's own hand, St. Thomas Church, Leipzig, 1724/1725 Key E minor Occasion First Day of Easter Chorale " Christ lag in Todes Banden " by Martin Luther Performed 24 April 1707 (1707-04-24) Published 1851 (1851) Duration About 20 minutes Movements 8 Vocal SATB Instrumental Cornetto 3 ...
This is a partial list of commercial or professional recordings of Johann Sebastian Bach's cantata Christ lag in Todes Banden, BWV 4, organized chronologically.. The Bach cantatas fell into obscurity after the composer's death and, in the context of their revival, Christ lag in Todes Banden stands out as being having been recorded early and often; as of 2016, the Bach Cantatas Website lists 77 ...
Jesu, nun sei gepreiset BWV 41 Chorale cantata by J. S. Bach Thomaskirche, Leipzig Occasion New Year's Day Chorale "Jesu, nun sei gepreiset" by Johannes Hermann Performed 1 January 1725 (1725-01-01): Leipzig Movements 6 Vocal SATB choir and solo Instrumental 3 trumpets timpani 3 oboes 2 violins viola violoncello piccolo da spalla continuo Jesu, nun sei gepreiset (Jesus, now be praised), BWV 41 ...
The cantata was first published in 1878 in the first complete edition of Bach's work, the Bach-Gesellschaft Ausgabe. The volume in question was edited by Alfred Dörffel . [ 2 ] [ 4 ] In the Neue Bach-Ausgabe it was published in 1973, edited by Marianne Helms , [ 4 ] with a critical report following in 1989.
[4] Movement 4 is in A minor, but the cantus firmus of the trumpet is nonetheless in C major, in "a battle for harmonic supremacy". [4] In the final movement of his Christmas Oratorio Bach would later embed the chorale in doric mode in a concerto in D major. The independent vocal line quotes parts of the chorale melody several times.
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The poet combined two stanzas, 4 and 5, to form movement 4. He used the lines "Vielleicht ist dies der letzte Tag, kein Mensch weiß, wenn er sterben mag" (Perhaps this is your last day, no one knows when he might die) [1] from stanza 9 in movement 9 which is otherwise based on stanza 10. In movement 10, he inserted a hint at the Gospel ...