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Crochet, knitting and needlework pattern books provide instruction and inspiration for hand work projects, while informing on the aesthetics of their time. A particular star of the collection is the Sample Book of Trims with its many samples of elaborately beaded appliques, metallic yarn embroidery and elegantly woven ribbon trimmings.
The Anglo-Japanese style developed in the United Kingdom through the Victorian era and early Edwardian era from approximately 1851 to the 1910s, when a new appreciation for Japanese design and culture influenced how designers and craftspeople made British art, especially the decorative arts and architecture of England, covering a vast array of art objects including ceramics, furniture and ...
The Chinese may have produced damasks as early as the Tang dynasty (618–907). [7] Damasks became scarce after the 9th century outside Islamic Spain, but were revived in some places in the 13th century. Trade logs between The British East India Company and China often demonstrate an ongoing trade of Chinese silks, especially damask. [8]
Victorian design is widely viewed as having indulged in a grand excess of ornament. The Victorian era is known for its interpretation and eclectic revival of historic styles mixed with the introduction of Asian and Middle Eastern influences in furniture, fittings, and interior decoration.
Le Nove porcelain, Bowl with cover, 1765–70, painted with ruins, soft-paste porcelain The front side of the Cross of Lothair (c. 1000), a classic example of "Ars Sacra" Wine Pot, c. 18th century, China, Walters Art Museum. The decorative arts are arts or crafts whose aim is the design and manufacture of objects that are both beautiful and ...
Coromandel lacquer, probably originally from a screen, worked up into a cabinet for medals in France in the 1720s. Coromandel lacquer is a type of Chinese lacquerware, latterly mainly made for export, so called only in the West because it was shipped to European markets via the Coromandel coast of south-east India, where the Dutch East Indies Company (VOC) and its rivals from a number of ...
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Another related form is the painted wooden top cover for a manuscript book, giving a long narrow strip, typically some 6 cm by 55 cm, often painted with a row of seated figures in compartments. The techniques for both these forms are essentially the same as for thangka, and presumably the same artists worked on them.
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