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Detail of the painting The Procuress (c. 1656), proposed self portrait by Vermeer [1] The following is a list of paintings by Johannes Vermeer (1632–1675), a Dutch Golden Age painter. After two or three early history paintings, he concentrated almost entirely on genre works, typically interiors with one or two figures. Vermeer's paintings of ...
Johannes Vermeer (/ v ər ˈ m ɪər, v ər ˈ m ɛər / vər-MEER, vər-MAIR, Dutch: [joːˈɦɑnəs fərˈmeːr]; see below; also known as Jan Vermeer; October 1632 – 15 December 1675) was a Dutch painter who specialized in domestic interior scenes of middle-class life.
View of Delft (Dutch: Gezicht op Delft) is an oil painting by Johannes Vermeer, painted c. 1659–1661. The painting of the Dutch artist's hometown is among his best known. [1] It is one of three known paintings of Delft by Vermeer, along with The Little Street and the lost painting House Standing in Delft, [2] and his only cityscape. [3]
Girl with a Pearl Earring (Dutch: Meisje met de parel) [1] [2] is an oil painting by Dutch Golden Age painter Johannes Vermeer, dated c. 1665. Going by various names over the centuries, it became known by its present title towards the end of the 20th century because of the earring worn by the girl portrayed there. [3]
Johannes Vermeer (1632- 1675) of Delft was one of Netherlands' most prominent Dutch painters. Specialising in interior scenes, Vermeer developed a distinct style for his many domestic paintings. Popular with middle-class patrons, Vermeer offered glimpses into the lives of Holland's cultured citizens.
Many art historians think that it is an allegory of painting, [2] hence the alternative title of the painting. Its composition and iconography make it the most complex Vermeer work of all. After Vermeer's Christ in the House of Martha and Mary and The Procuress it is his largest work. This illusionistic painting is one of Vermeer's most famous.
The pigment analysis of this painting [3] reveals the use of the pigments of the baroque period such as madder lake, yellow ochre, vermilion and lead white.Vermeer did not paint the robe of Christ with his usual blue pigment of choice ultramarine (see for example The Milkmaid) but with a mixture of smalt, indigo and lead white.
Of the two paintings in the background, the one on the right is The Procuress by Dirck Van Baburen (c. 1622), which belonged to Vermeer's mother-in-law, Maria Thins. The work also appears in his Lady Seated at a Virginal, probably painted some six years after The Concert. The painting on the left is a wild pastoral landscape.
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