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Sir Lawrence Alma-Tadema OM, RA, RWS (/ ˈ æ l m ə ˈ t æ d eɪ m ə / AL-mə TAD-ay-mə; [1] born Lourens Alma Tadema, Dutch: [ˈlʌurəns ˈɑlmaː ˈtaːdəmaː]; 8 January 1836 – 25 June 1912) was a Dutch painter who later settled in the United Kingdom, becoming the last officially recognised denizen in 1873.
The painting was a part of an exhibition of Lawrence Alma-Tadema's paintings in Belvedere, Vienna, Austria from 24 February 2017 to 18 June 2017. [15] La Pluie de roses D'Héliogabale is a separate yet similar painting, recorded to have been displayed at the 1880 Paris Salon, done by an artist under the name A. Heullant, likely Félix Armand ...
Alma-Tadema worked on the painting for four years. It was completed in late 1894, and bought by the German banker Robert von Mendelssohn . It was exhibited at the 1895 Royal Academy Summer Exhibition, at the 1899 Große Berliner Kunstausstellung in Berlin, and at the 1900 Exposition Universelle in Paris. It was a commercial success for Alma ...
The Women of Amphissa is an oil on canvas painting by Sir Lawrence Alma-Tadema, made in 1887. It is held at the Clark Art Institute, in Williamstown. It depicts a group of maenads waking up in the market of Amphissa, after a night of debauchery. [1]
Paintings by the Dutch and English artist Lawrence Alma-Tadema. Pages in category "Paintings by Lawrence Alma-Tadema" The following 6 pages are in this category, out of 6 total.
Aird invited Alma-Tadema to visit Egypt for the opening of the dam in December 1902, and commissioned him to paint a suitable subject to add to Aird's large collection of academic paintings by the likes of Frederic Leighton, Edward Poynter, and John William Waterhouse, including Alma-Tadema's 1888 work The Roses of Heliogabalus. The commission ...
A Reading from Homer (sometimes Listening to Homer) is an oil-on-canvas painting executed in 1885 by the English artist Lawrence Alma-Tadema.It depicts an imaginary festival scene from ancient Greece with youth reading poetry to a small audience on a marble balcony overlooking the sea.
The painting illustrates a passage by the poet Hermesianax, recorded by Athenaeus in his Deipnosophistae ("The Philosophers' Banquet"), book 13, page 598. The location, with tiers of white marble seating, is based on the Theatre of Dionysus in Athens, but Alma-Tadema replaced the original inscribed names of Athenians with the names of Sappho's ...
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