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For the plot of The End of Evangelion, the staff took inspiration from Japanese works such as Devilman by Gō Nagai and Ideon: Be Invoked by Yoshiyuki Tomino, [131] [132] the final chapter of the Space Runaway Ideon series in which the extermination of the human race is proposed in a scenario similar to that of The End of Evangelion.
The final scene, in which female pilot Rei Ayanami smiles at Shinji, has been described by staff and critics as the end of Evangelion's grand narrative. "Rei II" first aired on TV Tokyo on November 8, 1995, and scored a 7.7% rating audience share on Japanese TV.
A feature film was created as a complementary, alternate ending to the original episodes 25 and 26 and released in three stages: first as a preview (Neon Genesis Evangelion: Death & Rebirth), then as the completed alternate ending (The End of Evangelion), then finally as a theatrical revival combining the two into one presentation (Revival of ...
Evangelion key art. In 1997, Neon Genesis Evangelion wrapped up its story with one last film: The End of Evangelion. It was a fine film, and is widely beloved by fans, despite its… questionable ...
The final stage of the New Era Evangelion: The Movie project, a theatrical revival with the romanized title Revival of Evangelion was released on March 8, 1998, consisting of Death (True)² (a third, further edit of Death(True), with a few removed shots crucial to the plot edited back in) followed by a four-minute intermission and then the ...
The film was announced alongside Evangelion: 3.0 You Can (Not) Redo for release in 2008 as the final part of the Rebuild series under the working title Evangelion: Final. After delays of the first three films, production on Evangelion: Final formally started in 2009, [2] with a release date expected in 2015. [6]
The full video is different from the one for the television broadcast and includes images from the director's cut of the episodes and scenes from the film The End of Evangelion (1997). It also includes captions with white characters on a black background, written and coordinated by Hideaki Anno. [ 165 ]
In an interview, Satsukawa stated that the fiftheenth one is the Neon Genesis Evangelion episode in which his personality is reflected the most, as there is no Angel and only one scene with the Evangelions. [30] In the wedding scene with Misato, Ritsuko and Kaji, Misato fixes Kaji's tie and he thanks her in a close-up.