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Being "a moral person" is one of the most severe forms of bad faith. Sartre essentially characterizes this as "the faith of bad faith" which is and should not be, in Sartre's opinion, at the heart of one's existence. Sartre has a very low opinion of conventional ethics, condemning it as a tool of the bourgeoisie to control the masses.
He added that "we are condemned to be free". [ 9 ] To claim that existence precedes essence is to assert that there is no such predetermined essence to be found in humans, and that an individual's essence is defined by the individual through how that individual creates and lives his or her life.
Simone de Beauvoir and Jean-Paul Sartre in Beijing, 1955. Jean-Paul Charles Aymard Sartre (/ ˈ s ɑːr t r ə /, US also / ˈ s ɑːr t /; [5] French:; 21 June 1905 – 15 April 1980) was a French philosopher, playwright, novelist, screenwriter, political activist, biographer, and literary critic, considered a leading figure in 20th-century French philosophy and Marxism.
For Jean-Paul Sartre, to claim that one amongst many conscious possibilities takes undeniable precedence (for instance, "I cannot risk my life, because I must support my family") is to assume the role of an object in the world, not a free agent, but merely at the mercy of circumstance (a being-in-itself that is only its own facticity, i.e., it ...
They cannot not be free, there is a form of necessity for freedom, which can never be given up." [1] Sartre closes his work by emphasizing that existentialism, as it is a philosophy of action and one's defining oneself, is optimistic and liberating. "Sartre offers a description of human beings as a project and as a commitment." [1]
The Condemned of Altona (French: Les Séquestrés d'Altona) is a play written by Jean-Paul Sartre, known in Great Britain as Loser Wins. It was first produced in 1959 at the Théâtre de la Renaissance in Paris. It was one of the last plays Sartre wrote, followed only by his adaptation of Euripides' The Trojan Women. The English-language title ...
Jean-Paul Sartre's exploration of the Void is central to his existentialist philosophy. Sartre argues that consciousness itself is a form of nothingness, or néant, that introduces a fundamental gap between the self and the world. This gap creates a sense of the Void, as consciousness is constantly aware of what it is not—what it lacks or ...
There can be a free for-itself only as engaged in a resisting world. Outside of this engagement the notions of freedom, of determination, of necessity lose all meaning. [2] Earlier, in his 1939 novella The Childhood of a Leader collected in The Wall, Sartre expressed the concept while referring to pranks, saying that they "have a revolutionary ...