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Psalm 148 is the 148th psalm of the Book of Psalms, beginning in English in the King James Version: "Praise ye the Lord from the heavens". In Latin, it is known as "Laudate Dominum de caelis". [1] The psalm is one of the Laudate psalms. Old Testament scholars have also classified it as a creation psalm and a wisdom psalm. [2] [3]
The words of the hymn were initially written by St. Francis of Assisi [2] in 1225 in the Canticle of the Sun poem, which was based on Psalm 148. [3] The words were translated into English by William Draper, who at the time was rector of a Church of England parish church at Adel near Leeds. Draper paraphrased the words of the Canticle and set ...
The psalms themselves are named from the Latin word laudate, or "praise ye", which begins psalms 148 and 150. At Lauds, according to the Roman Rite , they were sung together following the canticle under one antiphon and under one Gloria Patri until the reforms instituted by St. Pius X in 1911.
Psalm 148 is a composition for voice and piano by Leonard Bernstein, a setting of Psalm 148 in English dated 1935. The art song is the composer's earliest surviving work, influenced by the music at the synagogue where he worshiped. He adapted the psalm text to metered poetry, and composed the work in a traditional fashion.
Scholars have found it very difficult to date this psalm. [9] Psalm 151 in the 11Q5 Manuscript. [10] The traditional Hebrew Bible and the Book of Psalms contains 150 psalms, but Psalm 151 is found both in The Great Psalms Scroll and the Septuagint, as both end with this psalm. Scholars have found it fascinating having both the Greek and Hebrew ...
Psalm 21 ("The king shall joy in thy strength, O LORD; and in thy salvation how greatly shall he rejoice!") Psalm 45 ("My heart is inditing a good matter: I speak of the things which I have made touching the king: my tongue is the pen of a ready writer.") Psalm 72 ("Give the king thy judgments, O God, and thy righteousness unto the king's son.")
Often described as spiritual, meditative, raw, yearning, divine, longing, beautiful, transcendent and profound, the four-part "A Love Supreme" — broken down into “Acknowledgment ...
The illustration for Psalm 115 shows a crucifixion with a chalice catching the blood flowing from the side of Christ. The earliest known comparable images are a miniature from the Drogo Sacramentary (dated 840–855), and an ivory from the Pericopes of Henry II (dated 840–870). This illustration leads to one argument for a later date for the ...