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In architecture, a hood mould, hood, label mould (from Latin labia, lip), drip mould or dripstone [1] is an external moulded projection from a wall over an opening to throw off rainwater, historically often in form of a pediment. This moulding can be terminated at the side by ornamentation called a label stop.
This is a rigid rectangular ventilated wall system consisting of curved or flat metal panels mounted and secured to a supporting structure. All four borders are pre-folded at the factory. Folded edges on every side allow large sheet metal parts to lie even with the cladding surface.
A commemorative plaque, or simply plaque, or in other places referred to as a historical marker, historic marker, or historic plaque, is a plate of metal, ceramic, stone, wood, or other material, bearing text or an image in relief, or both, to commemorate one or more persons, an event, a former use of the place, or some other thing. Most such ...
Fenton's pictures during the Crimean War were one of the first cases of war photography, with Valley of the Shadow of Death considered "the most eloquent metaphor of warfare" by The Oxford Companion to the Photograph. [13] [14] [s 3] Sergeant Dawson and his Daughter: 1855 Unknown; attributed to John Jabez Edwin Mayall [15] Unknown [e]
Percy Street & Huskisson Street being two of the main streets. But Rodney Street, Duke Street, Mount Pleasant and Abercromby Square are nearby, and Great George Square is the other side of the cathedral to the west are largely lined with Georgian houses. The west side of Abercromby Square, the first built was designed by John Foster Sr. in 1819.
A barnstar. A barnstar (or barn star, primitive star, or Pennsylvania star) is a painted object or image, often in the shape of a five-pointed star but occasionally in a circular "wagon wheel" style, used to decorate a barn in some parts of the United States.
From ancient history to the modern day, the clitoris has been discredited, dismissed and deleted -- and women's pleasure has often been left out of the conversation entirely. Now, an underground art movement led by artist Sophia Wallace is emerging across the globe to challenge the lies, question the myths and rewrite the rules around sex and the female body.
It was found in June 2003 in Ilam parish, Staffordshire (well to the south of Hadrian's Wall), by metal-detectorists, and, in 2005, was bought jointly by the Tullie House Museum in Carlisle, the Potteries Museum in Stoke-on-Trent and London's British Museum, with the help of a grant of £112,200 from the Heritage Lottery Fund.