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"Guinnevere" is a song written by David Crosby in 1968. [1] The song appears on Crosby, Stills & Nash's critically acclaimed eponymous debut album.The song is notable for its serene yet pointed melody and its unique lyrics, which compare Queen Guinevere to the object of the singer's affection, referred to as "m'lady".
Pinder reflects on the album's themes in a 1976 radio interview: "We carefully considered every word of the lyrics, to make sure it was balanced, that it didn't make statements, as in 'this is the answer'. We're not giving the answers, for it's the asking of the question that brings about the answer, and the answer is always an intelligible thing.
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"I Still Haven't Found What I'm Looking For" is a song by Irish rock band U2. It is the second track from their 1987 album The Joshua Tree and was released as the album's second single in May 1987. The song was a hit, becoming the band's second consecutive number-one single on the US Billboard Hot 100 while peaking at number six on the UK ...
The composer's brother, Fred Sullivan In 1877, Arthur Sullivan was already Britain's foremost composer, having produced such critically praised pieces as his Irish Symphony, his Overture di Ballo, many hymns and songs, such as "Onward, Christian Soldiers", and the popular short operas Cox and Box and Trial by Jury.
It is a succession of chords whose roots descend in fifths from the second degree to the fifth degree , and finally to the tonic. In a major key, the supertonic triad (ii) is minor, and in a minor key it is diminished. The dominant is, in its normal form, a major triad and commonly a dominant seventh chord.
The chord is found in several works by Chopin, from as early as 1828, in the Sonata in C minor, Op. 4 and his Scherzo No. 1, composed in 1830. [2] It is only in late works where tonal ambiguities similar to Wagner's arise, as in the Prelude in A minor, Op. 28, No. 2, and the posthumously published Mazurka in F minor, Op. 68, No. 4.
Percussion instruments with indeterminate pitch will not show a key signature, and timpani parts are sometimes written without a key signature (early timpani parts were sometimes notated with the high drum as "C" and the low drum a fourth lower as "G", with actual pitches indicated at the beginning of the music, e.g., "timpani in D–A").