Search results
Results from the WOW.Com Content Network
The subtitle "(War Time)" of the poem, which appears in the Flame and Shadow version of the text, is a reference to Teasdale's poem "Spring In War Time" that was published in Rivers to the Sea about three years earlier. "There Will Come Soft Rains" addresses four questions related to mankind's suffering caused by the devastation of World War I ...
Sara Trevor Teasdale (later Filsinger; August 8, 1884 – January 29, 1933) was an American lyric poet. She was born in St. Louis, Missouri , and used the name Filsinger after her 1914 marriage. [ 1 ]
"There Will Come Soft Rains" (poem), by Sara Teasdale "There Will Come Soft Rains" (short story), by Ray Bradbury This page was last edited on 28 ...
The title is from a 1918 poem of the same name by Sara Teasdale that was published during World War I and the Spanish flu pandemic. The story was first published in 1950 in two different versions in two separate publications, a one-page short story in Collier's magazine and a chapter of the fix-up novel The Martian Chronicles.
Scars Upon My Heart includes 125 poems written by 79 women, bringing together works by writers with established reputations, such as Edith Sitwell, May Wedderburn Cannan, Margaret Postgate Cole, Sara Teasdale, and Katharine Tynan.
His most important song cycle is his Vignettes of Italy, nine songs from 1919, settings of poems by Sara Teasdale reflecting on various Italian locations and their associated emotional recollections. Many important singers performed his songs in concert, most notably Kirsten Flagstad and John McCormack , to whom Watts dedicated several songs.
Reedy's Mirror was a literary journal in St. Louis, Missouri in the fin de siècle era. [1] It billed itself "The Mid-West Weekly". [2]Contributors included Edna St. Vincent Millay, [3] Robert Frost, Carl Sandburg, [4] Ezra Pound, Vachel Lindsay, [1] Harris Merton Lyon, [5] Sara Teasdale, [6] Albert Bloch [7] and Theodore Dreiser.
[32] She was the first woman to win the poetry prize, though two women (Sara Teasdale in 1918 and Margaret Widdemer in 1919) won special prizes for their poetry prior to the establishment of the award. [33] In 1924, literary critic Harriet Monroe labeled Millay “the greatest woman poet since Sappho." [34]