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Solfeggietto (H 220, Wq. 117: 2) is a short solo keyboard piece in C minor composed in 1766 by Carl Philipp Emanuel Bach. [1] Although the Solfeggietto title is widely used today, according to Powers 2002, p. 232, the work is correctly called Solfeggio, but the author provides no evidence for this.
Excerpt from Étude Op. 10, No. 1. Étude Op. 10, No. 1 in C major is a study for solo piano composed by Frédéric Chopin in 1829. It was first published in 1833 in France, [1] Germany, [2] and England [3] as the first piece of his Études Op. 10. This study in reach and arpeggios focuses on stretching the fingers of the right hand.
Édouard Nanny (March 24, 1872 in Saint-Germain-en-Laye – October 12, 1942 in Paris) was an important French double bass player, teacher, and composer. [1] He was a longtime professor of double bass at the Paris Conservatory.
Italian "solfeggio" and English/French "solfège" derive from the names of two of the syllables used: sol and fa.[2] [3]The generic term "solmization", referring to any system of denoting pitches of a musical scale by syllables, including those used in India and Japan as well as solfège, comes from French solmisation, from the Latin solfège syllables sol and mi.
The following is a non-comprehensive list of composers who have composed original music for the classical guitar, or music which has been arranged for it. This list is sortable by name, nationality and years of birth or death.
The romantic guitar eventually led to a different type of guitar in Spain: the fan-braced Spanish guitars of Torres, which may be seen as the immediate precursor of the modern classical guitar. In the 20th century, many non-guitarist composers wrote for the instrument, whereas previously only players of the instrument had done so. [1]
Mid-eighteenth century manuscript copy of Prelude, BWV 555 in the durezza style of Girolamo Frescobaldi. While originally attributed to Bach, scientific examination of the extant manuscripts by Alfred Dürr in 1987 and subsequent stylistic analysis of the score by Peter Williams have suggested that the eight preludes and fugues might have been composed by one of his pupils, Johann Ludwig Krebs.
Opus 43, 3 Sonatas (Also played as trios for viola, cello and bass). (and as duos for 2 cellos). No.1, Cello Sonata in Bb Major; No.2, Cello Sonata in C Major; No.3, Cello Sonata in G Major; Opus 44, Concerto No. 7 in C Major (Suisse) for cello and orchestra; Opus 46, Divertimento from Austrian Folksongs for cello and guitar