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The Tuscan order (Latin Ordo Tuscanicus or Ordo Tuscanus, with the meaning of Etruscan order) is one of the two classical orders developed by the Romans, the other being the composite order. It is influenced by the Doric order , but with un- fluted columns and a simpler entablature with no triglyphs or guttae .
It is commonly divided into the architrave, directly above the columns; the frieze, a strip with no horizontal molding, which is ornamented in all but the Tuscan order; and the cornice, the projecting and protective member at the top.
The emphatically classical church façade of Santa Maria Nova, Vicenza (1578–90) was designed by the influential Renaissance architect Andrea Palladio.. During the Italian Renaissance and with the demise of Gothic style, major efforts were made by architects such as Leon Battista Alberti, Sebastiano Serlio and Giacomo Barozzi da Vignola to revive the language of architecture of first and ...
This category contains actual type faces that were made from wood for letterpress printing, as opposed to type that has been cast in metal, or fonts made available for Photocomposition or Digitally. Pages in category "Wood typefaces"
The Tuscan order is characterized by an unfluted shaft and a capital that consists of only an echinus and an abacus. In proportions it is similar to the Doric order, but overall it is significantly plainer. The column is normally seven diameters high. Compared to the other orders, the Tuscan order looks the most solid.
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In architecture, a corbel is a structural piece of stone, wood or metal jutting from a wall to carry a superincumbent weight, [1] a type of bracket. [2] A corbel is a solid piece of material in the wall, whereas a console is a piece applied to the structure. A piece of timber projecting in the same way was called a "tassel" or a "bragger" in ...
At the same time of this period of urbanisation and artistic thought, interior design was heavily affected too, changing nearly completely from that of the Middle Ages. The sumptuous palazzi of noblemen and the middle-classes began to be decorated with tapestries, sculptures, frescos and lavish furniture.
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