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In bipack color photography for motion pictures, two strips of black-and-white 35 mm film, running through the camera emulsion to emulsion, are used to record two regions of the color spectrum, for the purpose of ultimately printing the images, in complementary colors, superimposed on one strip of film.
The strips can then be rearranged and laid out sequentially to represent the order one wants to film in, providing a schedule that can be used to plan the production. [1] This is done because most films are shot "out of sequence," meaning that they do not necessarily begin with the first scene and end with the last. [ 2 ]
Gasparcolor, a single-strip 3-color system, was developed in 1933 by the Hungarian chemist Dr. Bela Gaspar. [20] The real push for color films and the nearly immediate changeover from black-and-white production to nearly all color film were pushed forward by the prevalence of television in the early 1950s.
Excerpt from the surviving fragment of With Our King and Queen Through India (1912), the first feature-length film in natural colour, filmed in Kinemacolor. This is a list of early feature-length colour films (including primarily black-and-white films that have one or more color sequences) made up to about 1936, when the Technicolor three-strip process firmly established itself as the major ...
The first full-color animations were photographed using three-strip cameras. From 1934, animations were filmed using modified black and white cameras taking successive exposures through three color filters on a single panchromatic film, being simpler to operate and far less expensive. The technique lasted until 1973 (Robin Hood, Disney).
Alas, certain early color TV transfers were exposed without respect to whether the film was wound conventionally on the reel (A-wind, i.e. emulsion facing toward the hub) or whether the wind was reversed (B-wind) rendering the resulting color image as somewhat faulty, i.e. due to the thickness of the film itself, one primary color was out-of-focus.
In his feature film The Aviator (2005), Martin Scorsese seamlessly blended colorized stock footage of the Hell's Angels movie premiere with footage of the premiere's reenactment. The colorization by Legend Films was designed to look like normal three-strip film but was then color corrected to match the two-strip look of the premiere's reenactment.
The Garden of Allah (1936 film) The Girl from Calgary; God's Country and the Woman; The Goddess of Spring; Gold Is Where You Find It; Gold Rush Daze; Golden Dawn (film) The Goldwyn Follies; Gone with the Wind (film) Good Morning, Eve! Good News (1930 film) Good Scouts; Goofy Goat; The Grasshopper and the Ants (film) Gulliver's Travels (1939 film)