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Various styles of traditional drums are used in folk music, dance and theater of Karnataka Dollu Kunitha is also danced by women. This is a group dance named after the dollu used in its performance, and performed by the men of the Kuruba Gowda community. The group consists of 16 dancers, each wearing a drum and playing different rhythms while ...
Musical instruments of the Indian subcontinent can be broadly classified according to the Hornbostel–Sachs system into four categories: chordophones (string instruments), aerophones (wind instruments), membranophones (drums) and idiophones (non-drum percussion instruments).
Percussion instruments of Karnataka being played at Janapada Loka. Karnataka, a southern state in India, has a distinct art style and culture informed by a long history of diverse linguistic and religious ethnicities. Apart from Kannadigas, Karnataka is home to Tuluvas, who also consider themselves as
The nadaswaram [note 1] is a double reed wind instrument from South India. [1] It is used as a traditional classical instrument in Tamil Nadu, Andhra Pradesh, Telangana, Karnataka and Kerala [2] and in the northern and eastern parts of Sri Lanka. This instrument is "among the world's loudest non-brass acoustic instruments". [3]
Carnatic music (known as Karnāṭaka saṃgīta or Karnāṭaka saṅgītam in the Dravidian languages) is a system of music commonly associated with South India, including the modern Indian states of Andhra Pradesh, Karnataka, Kerala, Tamil Nadu and portions of east and south Telangana and southern Odisha.
The chande is a drum used in the traditional and classical music of South India and particularly in Yakshagana theatre art of Karnataka. It follows the Yakshagana Tala system. The rhythms are based on pre-classical music forms that Karnataka Sangeta and Hindustani Sangeetha are based on. [ 1 ]
The Maddale (Kannada: ಮದ್ದಲೆ), also known as Mrudanga (ಮೃದಂಗ) in North Canara, is a percussion instrument from Karnataka, India. It serves as the primary rhythmic accompaniment in a Yakshagana ensemble, along with Chande. The maddale produces a perfectly hormonic tonic (shruti swara) when struck anywhere on its surface.
The harmonium is still disliked by some connoisseurs of Indian music, who prefer the sarangi as an accompanying instrument for khyal singing. [6] The musical concerns regarding the limitations of the harmonium also led to new technical innovations which attempted to craft a harmonium that was more suited to classical Indian music.