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Hera, goddess of marriage, family, women, and childbirth, queen of the gods, wife of Zeus; Hades, god of the Underworld, one of the big three; Demeter, goddess of agriculture; Artemis, goddess of the moon, archery and virginity; Aphrodite, goddess of beauty, fertility and love; Eros, god of love (greek cupid) Muses. Calliope, goddess of epic poetry
Inside a Devchauk is usually a depiction of palghat, the mother goddess, symbolizing fraternity. [3] Male gods are unusual among the Warli and are frequently related to spirits which have taken human shape. The central motif in the ritual painting is surrounded by scenes portraying hunting, fishing, and farming, and trees and animals.
The painters do not use pencil or charcoal for the preliminary drawings. They are so expert in the line that they simply draw directly with the brush either in light red or yellow. Then the colours are filled in. The final lines are drawn and the patta is given a lacquer coating to protect it from weather, thus making the painting glossy.
A Kalighat painting of Goddess Kali. This is a representation of the idol installed in the Kalighat Temple, around which the Kalighat School of painting developed. Kalighat painting, Kalighat Patachitra, or Kalighat Pat (Bengali: কালীঘাট পটচিত্র ) is a style of Indian paintings which originated in the 19th century.
In late 19th century and early 20th century Northern Europe, Freyja was the subject of numerous works of art, including Freyja by H. E. Freund (statue, 1821–1822), Freja sökande sin make (painting, 1852) by Nils Blommér, Freyjas Aufnahme uner den Göttern (charcoal drawing, 1881), and Frigg; Freyja (drawing, 1883) by Carl Ehrenberg ...
The goddess is also regarded to be the power that resides within all poetry and writing. She is the consort of the creator deity, Brahma. She is represented as a graceful figure, donning white, and traditionally depicted with the veena ( vīṇā ), rosary ( akṣamālā ), water-pot ( kamaṇḍalu ) and book ( pustaka ).
In ancient Egypt, women delivered babies while squatting on a pair of bricks, known as "birth bricks", and Meskhenet was the goddess associated with this form of delivery. Consequently, in art , she was sometimes depicted as a brick with a woman's head, wearing a cow's uterus upon it.
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