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2. Marshall Amplification - Wikipedia

   en.wikipedia.org/wiki/Marshall_Amplification

   Clapton asked Jim Marshall to produce a combo amplifier with tremolo, which would fit in the boot of his car, and one of the most famous Marshall amps was born, the "Bluesbreaker" amp. [7] This is the amplifier, in tandem with his 1960 Gibson Les Paul Standard (the "Beano"), that gave Clapton that famous tone on the John Mayall & the ...

3. The Who's musical equipment - Wikipedia

   en.wikipedia.org/wiki/The_Who's_musical_equipment

   In 1965, Pete Townshend and John Entwistle were directly responsible for the creation and widespread use of Marshall amplifiers powering stacked speaker cabinets. In fact, the first 100 watt Marshall amps (called "Superleads") were created specifically for Entwistle and Townshend when they wanted an amplifier that sounded like a Fender head but with much more power.

4. Marshall JCM800 - Wikipedia

   en.wikipedia.org/wiki/Marshall_JCM800

   The JCM800 series (Models 2203, 2204, 2205, and 2210) is a line of guitar amplifiers made by Marshall Amplification.The series was introduced in 1981. Although models 1959 and 1987 had been in production since 1965 and the 2203 and 2204 had been in production since 1975, they were redesigned and introduced as JCM800 amplifiers in 1981.

5. Marshall Bluesbreaker - Wikipedia

   en.wikipedia.org/wiki/Marshall_Bluesbreaker

   The Marshall Bluesbreaker is the popular name given to the Models 1961 and 1962 guitar amplifiers made by Marshall from 1964/65 to 1972. The Bluesbreaker, which derives its nickname from being used by Eric Clapton with John Mayall & The Bluesbreakers, is credited with delivering "the sound that launched British blues-rock in the mid-1960s."

6. Jim Marshall (businessman) - Wikipedia

   en.wikipedia.org/wiki/Jim_Marshall_(businessman)

   From 1960, Marshall owned a moderately successful music store in Hanwell, West London, selling drums and then branching out into guitars.His many guitar playing customers (including Ritchie Blackmore, Big Jim Sullivan and Pete Townshend) spoke of the need for a particular kind of amplifier, with Townshend wanting something "bigger and louder", and Marshall saw the opportunity, [2] [6] founding ...

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