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Sotho woman wearing a brown shweshwe dress. Shweshwe (/ ˈ ʃ w ɛ ʃ w ɛ /) [1] is a printed dyed cotton fabric widely used for traditional Southern African clothing. [2] [3] Originally dyed indigo, the fabric is manufactured in a variety of colours and printing designs characterised by intricate geometric patterns.
A typical kitenge pattern. Customers and visitors at a display of African kitenge clothes. A kitenge or chitenge (pl. vitenge Swahili; zitenge in Tonga) is an East African, West African and Central African piece of fabric similar to a sarong, often worn by women and wrapped around the chest or waist, over the head as a headscarf, or as a baby sling.
This African textile is used to weave the Ghanaian Smock. Queens, princesses and women of Dagbon wear the Chinchini. The weaving of the chinchini is done by the 'Kpaluu', one of the traditional professional in the Dagbon society that has existed until today. The smock made from the Chinchini of Dagbon is the most worn traditional cloth of Ghana.
Because it is usually made by women, patterns and themes of the Adire are passed down from mother to daughter within families. However, certain motifs can depend on the artist's abilities and craftmanship, as well as skills taught from older generations. The patterns of Adire are often representations of plants, animals, tools, and conceptual ...
It is made of cowhide or goatskin, as depicted on the South African Heritage Resource Agency website. The isidwaba has remained virtually unchanged since the 19th century whereas other traditional objects have undergone transformations both in form and material used to make them. [ 2 ]
A capulana (also spelled "kapulana", or in Changana "nguvu" or "vemba") is a type of a sarong worn primarily in Mozambique but also in other areas of Southeastern Africa. It is a length of material about 2 metres by 1 metre. It can either be used as a wrap-around skirt, dress or can become a baby carrier on the back. It is considered a complete ...
The character of Kuba design accords with Robert Thompson's observation that some African music and art forms are enlivened by off-beat phrasing of accents, by breaking the expected continuum of surface, by staggering and suspending the pattern. [11] In textile design, the Africans of the Kasai-Sankuru region do not project a composition as an ...
The expression of his identity as a true South African person spoke for the aggression in resistance and asking for one's won control of one's country. [6] While traditional dresses were worn as part of expressing one's identity, South African fashion in the apartheid period witnessed the continuing growth of influence from European fashion.
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