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"It's in the Book" was released by the small Magnolia label as a single in the fall of 1952, then picked up by Capitol Records. The routine (which, at over six minutes long, had to be split over both sides of the record) shocked industry observers as it hit the Billboard charts in October and raced all the way to the number-one spot for the ...
The song addresses a son's regret over unresolved conflict with his now-deceased father. It won the Ivor Novello Award for Best Song Musically and Lyrically in 1989, [ 3 ] and was nominated for four Grammy awards in 1990, including Record and Song of the Year , as well as Best Pop Performance by a Duo or Group with Vocals and Best Video .
The first track of the album, "classic j dies and goes to hell part 1", according to Pitchfork's Abby Jones, is "a jazzy opus best described as The Black Parade off Broadway", calling it "the most overblown track" on the album. [4]
"Youth of the Nation" is a song by American Christian metal band P.O.D. It was released on November 27, 2001, as the second single to come from their second major label album, Satellite . It was inspired in part by the school shootings at Santana High School and Columbine High School .
At the song's climax, which features full instrumentation, the assassin rationalises their decision to carry out the murder as a means to gain notoriety. [3] Finally, the song transitions back to a quiet, mournful climax as the shooter, having just shot his target, remembers his childhood loneliness and desire for attention. [ 2 ]
The song, which highlights Marley's Rastafarian religion, is a song about unity, hope and the need for social justice. "Not one of my seeds shall sit on the sidewalk and beg bread," the lyrics say.
He also talks to Russel about his past and how each person had a song that they can identify themselves with. He lets Russel know to bring him to the frozen ocean, where he wants to bid farewell as his resting spot for the end of his life. Russel’s father-- The father of the main protagonist Russel. His wife leaves him for a trapper and most ...
The song opens with the sound of a shotgun blast and a drum roll, with the verses alternating between Walker's vocals and tenor saxophone fills. [2] It does not employ the typical progression, but remains on one chord throughout. [7] Personnel. Junior Walker – lead vocals, tenor saxophone; Willie Woods – lead guitar, harmony vocals