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Consequences of War, also known as Horror of war, [1] was executed between 1638 and 1639 by Peter Paul Rubens in oil paint on canvas. It was painted for Ferdinando II de' Medici . Although commissioned by an Italian, art historians characterize both the work and the artist as Flemish Baroque .
A work made against this background is the Allegory of war (Lempertz 16 November 2013, Cologne Lot 1243). The work is full of symbols of war and strife such as weapons, fighting animals, zodiac symbols of bad luck in the heavens, the furies , a burning city, the god of war and the battling troops in the background which all evoke the theme of ...
Streeton's most famous war painting, Amiens the key of the west shows the Amiens countryside with dirty plumes of battlefield smoke staining the horizon, which becomes a subtle image of war. As a war artist, Streeton continued to deal in landscapes and his works have been criticised for failing to concentrate on the fighting soldiers.
Rubens painted the allegorical female figures, accompanied by a putto or a winged Cupid in Sight, Hearing, Smell, and Touch, and by a satyr in Taste.Brueghel created the sumptuous settings, which evoke the splendour of the court of Albert VII, Archduke of Austria, and his wife Isabella, governors of the Spanish Netherlands, to which the two artists were attached. [1]
From training camp to the battlefield, Tom Lea's paintings, which were printed in Life magazine, depict service members' lives during World War II. The paintings, on loan from the U.S. Army Center ...
100 Great Paintings is a British television series broadcast in 1980 on BBC Two, devised by Edwin Mullins. [1] He chose 20 thematic groups, such as war, the Adoration , the language of colour, the hunt, and bathing, picking five paintings from each. [ 2 ]
In 1861, with the allegories of War and Peace (Municipal Museum of Amiens) he began his muralist work, for which he received numerous commissions throughout France and which would make him famous. [60] He painted murals in the town halls of Paris and Poitiers, the Panthéon, the Sorbonne and the Boston Public Library, among others.
The painting was commissioned by the United Service Club and represented a major milestone in Clarkson's career. [2] The work was exhibited at the Royal Academy's Summer Exhibition in 1836. An engraving based on Stanfield's work was produced by William Miller, a copy of which is held by the National Maritime Museum. [3]
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