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"The Fun They Had" is a science fiction story by American writer Isaac Asimov. It first appeared in a children's newspaper in 1951 and was reprinted in the February 1954 issue of The Magazine of Fantasy and Science Fiction , Earth Is Room Enough (1957), 50 Short Science Fiction Tales (1960), and The Best of Isaac Asimov (1973).
The enthusiasm doo-wop fans had for the Chords' music was dampened when Gem Records claimed that one of the groups on its roster was called the Chords; consequently the group changed their name to the Chordcats. [3] Their success was a one-off as subsequent releases, including "Zippity-Zum", all failed to chart. [3]
The Chords are a 1970s British pop music group, commonly associated with the 1970s mod revival, who had several hits in their homeland, before the decline of the trend brought about their break-up. They were one of the more successful groups to emerge during the revival, and they re-formed with the four original members for a UK tour during 2010.
That he had isolated specifically for the Beach Boys. So he asked me to compile those and it was more than a few." [7] One of these demos was an early version of the then-future title track "That's Why God Made the Radio". [8] Some of these early demos reportedly even featured vocals from Carl Wilson. [8]
In late-1992, not long after Jane’s Addiction broke up, Jane’s bassist Eric Avery and guitarist Dave Navarro formed the one-off musical project Deconstruction. In 1994, they released their ...
"That's Why God Made the Radio" is a song written by Joe Thomas, Brian Wilson, Jim Peterik, and Larry Millas (Peterik and Millas are original members of The Ides Of March) for the American rock band The Beach Boys. It was the first new single from the band in 20 years and was included on the band's 29th studio album of the same name. The album ...
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"Three Chords and the Truth" is a song co-written and recorded by American country music artist Sara Evans. It was released in July 1997 as the second single from Evans' debut album of the same name in July 1997. Despite its minor success on the Billboard country chart, it was critically acclaimed for its retro-themed production. Since its ...