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This circle is again divided into three segments by two chords of 16 meters length. [14] In 2018, under the direction of Fr. Ashwin Fernandes, the main altar wall of the church was iconographically adorned with the "largest icon painting in Malankara."
Orthodox images more often contained inscriptions with the names of saints, so the Eastern repertoire of attributes is generally smaller than the Western. Many of the most prominent saints, like Saint Peter and Saint John the Evangelist can also be recognised by a distinctive facial type. Some attributes are general, such as the martyr's palm. [4]
In free-standing medieval sculpture, the halo was already shown as a flat disk above or behind the head. When perspective came to be considered essential, painters also changed the halo from an aura surrounding the head, always depicted as though seen full-on, to a flat golden disk or ring that appeared in perspective, floating above the heads ...
Orthodox images more often contained inscriptions with the names of saints, so the Eastern repertoire of attributes is generally smaller than the Western. Many of the most prominent saints, like Saint Peter and Saint John the Evangelist can also be recognised by a distinctive facial type. Some attributes are general, such as the martyr's palm. [4]
Other wooden, metallic, or composite accessories, which depend on the iconographic attributes of the subject, range from a long marshal's baton for some Marian images (signifying her military patronage as the ceremonial commander of a unit), a scepter or staff for various saints, a globus cruciger (usually for images of the Christ Child), a ...
This diagram consists of four nodes, generally circular in shape, interconnected by six links. The three nodes at the edge of the diagram are labelled with the names of the three persons of the Trinity, traditionally the Latin-language names, or scribal abbreviations thereof: The Father ("PATER"), The Son ("FILIUS"), and The Holy Spirit ("SPIRITUS SANCTUS").
One half-circle (usually light) shows contented people moving upwards to higher states, possibly to the higher realms. The other half-circle (usually dark) shows people in a miserable state being led downwards to lower states, possibly to the lower realms. These images represent karma, the law of cause and effect. The light half-circle ...
relics of Saint Justus, Antwerp Denis of Paris. A cephalophore (from the Greek for 'head-carrier') is a saint who is generally depicted carrying their severed head. In Christian art, this was usually meant to signify that the subject in question had been martyred by beheading.