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Zhenniao (Chinese: 鴆鳥; pinyin: zhènniǎo; lit. 'poison-feather bird'), often simply zhen, is a name given in many Chinese myths, annals, and poetry to poisonous birds that are said to have existed in what is now southern China.
Classical Chinese poetry forms are poetry forms or modes which typify the traditional Chinese poems written in Literary Chinese or Classical Chinese.Classical Chinese poetry has various characteristic forms, some attested to as early as the publication of the Classic of Poetry, dating from a traditionally, and roughly, estimated time of around 10th–7th century BCE.
The rhetorical style started out as poetry. This later influenced pianwen and guwento and eventually created the baguwen aka the eight-legged essay. [1] In Korea, the form was called giseungjeongyeol (Hangul: 기승전결; Hanja: 起承轉結). In Japan, it was called kishōtengō (起承転合), from which the English word derives.
Classical Chinese poetry genres are those genres which typify the traditional Chinese poems written in Classical Chinese. Some of these genres are attested to as early as the publication of the Classic of Poetry , dating from a traditionally, and roughly, estimated time of around 10th–7th century BCE, in what is now China, but at that time ...
A pair of ospreys, which inspired the title of the poem. Guan ju (traditional Chinese: 關 雎; simplified Chinese: 关 雎; pinyin: Guān jū; Wade–Giles: Kuan 1 chü 1: "Guan guan cry the ospreys", often mistakenly written with the unrelated but similar-looking character 睢, suī) is the first poem from the ancient anthology Shi Jing (Classic of Poetry), and is one of the best known poems ...
Simians of various sorts (including the monkey, gibbon, and other primates of real or mythological nature) are an important motif in Chinese poetry. Examples of simian imagery have an important place in Chinese poetry ranging from the Chu Ci poets through poets such as Li Bai, Wang Wei, Du Fu, and more. Various poetic concepts could be ...
Biyiniao appeared in Han [2] and Goguryeo tomb art, [5] and has evolved into a popular cultural symbol of steadfast affection. The famous poem "Changhenge" or "Song of Everlasting Regret" by Bai Juyi (772–846), which retells the love story between Emperor Xuanzong of Tang and his consort Yang Yuhuan, invoked this metaphor, [6] as did poetry by Cao Zhi (192–232) and Chen Weisong (1626 ...
A simile (/ ˈ s ɪ m əl i /) is a type of figure of speech that directly compares two things. [1] [2] Similes are often contrasted with metaphors, where similes necessarily compare two things using words such as "like", "as", while metaphors often create an implicit comparison (i.e. saying something "is" something else).