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Khangkhungkherrnitz (1996) Buruguduystunstugudunstuy (1997) Professional ratings; Review scores; Source ... All lyrics are written by Chito Miranda; ...
Lyrically, it describes a "'mischievous imitator' that wants to copy everything of his or her loved one". [1] "Copycat" was composed in the key of B major, with a tempo of 112 beats per minute. [9] "Oscar" depicts lovers that act out lies, [1] and uses the sound of windshield wipers and synths. [8] "Feel Something" describes "the first steps of ...
Failed at Math(s) is the debut studio album by British indie rock band Panchiko.The album was self-published by the band on 5 May 2023. The album consists of the first new material recorded by the band since their reunion after the discovery of their debut EP, D>E>A>T>H>M>E>T>A>L.
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Copy/Paste is a compilation album by Scottish-American rock band Garbage released on November 29, 2024, as part of Record Store Day's Black Friday event. [1] The album features covers of ten classic songs, including a previously unreleased track, "Love My Way". [2] [3] An abridged version of the album was released digitally on December 6.
"Aesthetics of Hate" was written by Robb Flynn as a retaliation to an article by William Grim for the website Iconoclast. Titled "Aesthetics of Hate: R.I.P. Dimebag Abbott, & Good Riddance", Grim wrote the article stating Darrell was "part of a generation that has confused sputum with art and involuntary reflex actions with emotion", "an ignorant, barbaric, untalented possessor of a guitar ...
The song is named after Bobcaygeon, Ontario, a town in the Kawartha Lakes region about 160 kilometres (99 mi) northeast of Toronto.The song's narrator works in the city as a police officer, a job he finds stressful and sometimes ponders quitting, but unwinds from the stress and restores his spirit by spending his weekends with a loved one in the rural idyll of Bobcaygeon, where he sees "the ...
"Xanadu" is a song by the Canadian progressive rock band Rush from their 1977 album A Farewell to Kings. [1] It is approximately eleven minutes long, beginning with a five-minute-long instrumental section before transitioning to a narrative written by Neil Peart, which in turn was inspired by the Samuel Taylor Coleridge poem Kubla Khan.