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Roar's second studio album, Pathétique Aesthétique, was released on July 5, 2018. [9] In 2019 and 2024, the titular song from I Can't Handle Change gained popularity on the internet, especially media-sharing app TikTok. [10] On March 30, 2021, Roar's third studio album, Diamond Destroyer of Death, was released. [11] Evans left AJJ during 2021.
It should only contain pages that are Zion (artist) albums or lists of Zion (artist) albums, as well as subcategories containing those things (themselves set categories). Topics about Zion (artist) albums in general should be placed in relevant topic categories .
It should only contain pages that are Zion I albums or lists of Zion I albums, as well as subcategories containing those things (themselves set categories). Topics about Zion I albums in general should be placed in relevant topic categories .
For albums of the reggaeton artist, see Category:Zion (artist) albums. For albums of the hip hop duo, see Category:Zion I albums . Note: This category page should be empty.
Jon Azpiri of AllMusic wrote, "Influenced equally by hip-hop and various forms of electronica, Zion I offers listeners a collage of new sounds mixed with ancient spiritualism." [3] Del F. Cowie of Exclaim! called it "a truly invigorating affair." [6] In 2015, HipHopDX included it on the "30 Best Underground Hip Hop Albums Since 2000" list. [2]
The album was certified Platinum (Latin) by the Recording Industry Association of America (RIAA) for surpassing 100,000 sales in the United States. After returning from his duo hiatus with Lennox, Zion had occasional guest appearances as soloist from 2008 to 2016. His solo discography consists of a studio album, six singles and eight music videos.
Atomic Clock is a studio album by Zion I. [1] It was released by Gold Dust Media in 2010. [ 2 ] It peaked at number 24 on the Billboard Heatseekers Albums chart, [ 3 ] as well as number 64 on the Top R&B/Hip-Hop Albums chart.
The album was well received by critics, with Evan Gutierrez of Allmusic calling it a "landmark album" and "one of the albums that artists will refer to in years to come as one of the records that shaped reggaeton and its future". [7] Zion began working on The Perfect Melody in October 2006. [2]