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An imaginative European depiction of an Aztec shrine. The idol of Huitzilopochtli is seated in the background. (1602) Diego Durán described the festivities for Huitzilopochtli. Panquetzaliztli (November 9 to November 28) was the Aztec month dedicated to Huitzilopochtli. People decorated their homes and trees with paper flags; there were ritual ...
Blue Tezcatlipoca is Huitzilopochtli, and his representations usually show him as a hummingbird or as a warrior with armour and helmet made of hummingbird feathers. In a pattern similar to that found in many hummingbirds, his legs, arms, and the lower part of his face were painted one color (blue) and the upper half of his face was another (black).
The feast takes place in the 15th month of the Aztec calendar and is dedicated to Huitzilopochtli. [14] During the ceremony, captives’ hearts were cut out and their bodies were thrown down the temple stairs to the Coyolxauhqui stone. There, they were decapitated and dismembered, just as Coyolxauhqui was by Huitzilopochtli on Coatepec. [6]
One day, as she swept her shrine, a ball of hummingbird feathers fell from the sky. She "snatched them up; she placed them at her waist." [8] Thus, she became pregnant with the deity Huītzilōpōchtli. Her miraculous pregnancy embarrassed Coatlicue's other children, including her eldest daughter, Coyolxāuhqui.
Unlike earlier Aztec codices, areas of shadow are used to better define the faces on the page. [28] The migration begins on the next page, folio 1 vecto (1v), with the departure of the Azteca from their island homeland Aztlán, as commanded by their god, Huitzilopochtli, [21] who appears nearby as a warrior in a hummingbird headdress. [29]
The rest of the gods present: Tezcatlipoca, Huitzilopochtli, Nochpalliicue, Yapallicue and Xochiquetzal sacrifice themselves in Teotihuacan to make the Sun move across the sky, starting the contemporary era. [7] Tlahuizcalpantecuhtli is also viewed as one of the four gods who kept the sky up and was associated with the cardinal direction East. [8]
The Nahui Ollin is composed of traditional Aztec ideologies, including the concepts of Tezcatlipoca, Quetzalcoatl, Huitzilopochtli, and Xipe Totec. The Nahui Ollin is used as a culturally responsive method of teaching and ultimately supporting the development of harmony and balance of the mind, body, spirit, and community. [9]
Huitzilopochtli, the patron god of the Mexica, as depicted in the Codex Telleriano-Remensis. After the decline of the Toltecs, about 1200 CE, various Nahua-speaking nomadic peoples entered the Valley of Mexico, possibly all from Aztlan, whose location is unknown. [12]