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M2TS supports Digital 3D as multiple files in a specific file structure for encoding stereoscopic video: MVC stereoscopic data is in .ssif files in the /BDMV/STREAM/SSIF/ directory and require a respective base .m2ts file. Digital 3D in QTFF and ASF is possible, but not standard. MP4 only supports Digital 3D at the video format level. [44]
American theatrical release poster by John Solie [5]. Roger Corman bought the U.S. rights to the film for his New World Pictures.He cut out a great deal of footage, added new sequences directed by Andrew Meyer and starring Lorne Greene as an ambassador at the United Nations, and released it as Tidal Wave in May 1975.
Tidal Wave: No Escape is a 1997 American made-for-television disaster film directed by George T. Miller starring Corbin Bernsen, Julianne Phillips, Gregg Henry. It originally aired on ABC on Monday May 5, 1997.
Tidal Wave (Korean: 해운대; RR: Haeundae) is a 2009 South Korean disaster film directed by Yoon Je-kyoon and starring Sul Kyung-gu, Ha Ji-won, Park Joong-hoon and Uhm Jung-hwa. Billed as South Korea's first disaster film, [ 1 ] the film released theatrically on 22 July 2009 and received more than 11 million admissions nationwide.
A video file format is a type of file format for storing digital video data on a computer system. Video is almost always stored using lossy compression to reduce the file size. A video file normally consists of a container (e.g. in the Matroska format) containing visual (video without audio) data in a video coding format (e.g. VP9 ) alongside ...
The Big Wave (Japanese: 大津波, Hepburn: Daitsunami, lit. ' The Giant Tsunami ' ) is a 1961 disaster drama film directed by Tad Danielewski , with special effects by Eiji Tsuburaya . Produced by Stratton Productions and Toho , it is based on Pearl S. Buck 's 1948 novel of the same name . [ 3 ]
Roger Corman decided to make the film after enjoying success with another disaster movie, Tidal Wave where he added new footage to a Japanese film. Avalanche was originally budgeted at $2 million and Gavin Lambert, who wrote I Never Promised You a Rose Garden for Corman, was hired to do the script. [3] The project spent several years in ...
The tidal wave sequence had originally been designed by ILM as a physical effect, using a plastic wave, but Cameron was dissatisfied with the end result, and the sequence was scrapped. By the time Cameron was ready to revisit The Abyss, ILM's CGI prowess had finally progressed to an appropriate level, and the wave was rendered as a CGI effect.