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The Boston origins of the American movement date to a "wave of German and European-Jewish immigrants" in the 1930s and their "affinities to the contemporary German strain of figurative painting ... in artists like Otto Dix (1891–1969), Ernst Ludwig Kirchner (1880–1938), Oskar Kokoschka (1886–1980), and Emil Nolde (1867–1956), both in style and in subject matter," art historian Adam ...
Vir Heroicus Sublimis is a 1951 painting by Barnett Newman, [1] an American painter who was a key part of the abstract expressionist movement. Vir Heroicus Sublimis—"Man, Heroic and Sublime" in Latin—attempts to evoke a reaction from its viewers through its overwhelming scale (his largest canvas yet at the time he released it) and saturated color.
New York Figurative Expressionism is a visual arts movement and a branch of American Figurative Expressionism. Though the movement dates to the 1930s, it was not formally classified as "figurative expressionism" until the term arose as a counter-distinction to the New York–based postwar movement known as Abstract Expressionism. [1]
Boston Expressionism is an arts movement marked by emotional directness, dark humor, social and spiritual themes, and a tendency toward figuration strong enough that Boston Figurative Expressionism [1] is sometimes used as an alternate term to distinguish it from abstract expressionism, with which it overlapped.
Paul John Wonner (April 24, 1920 – April 23, 2008) was an American artist best known for his still-life paintings done in an abstract expressionist style. [1] [2] Born in Tucson, Arizona, he received a B.A. in 1952, an M.A. in 1953, and an M.L.S. in 1955―all from the University of California, Berkeley. [3]
During the 1950s abstract painting in America evolved into movements such as Neo-Dada, Post painterly abstraction, Op Art, hard-edge painting, Minimal art, Shaped canvas painting, Lyrical Abstraction, and the continuation of Abstract expressionism.
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