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The Machito Afro-Cubans provided a forum for progressive musical ideas, compositions, and arrangements. They explored the fusion of Afro Cuban music with jazz arranging and jazz-oriented soloists in a multiracial framework. Bauzá developed the 3-2/2-3 clave concept and terminology. A chord progression can begin on either side of clave.
The roots of most Afro-Cuban musical forms lie in the cabildos, self-organized social clubs for the African slaves, and separate cabildos for separate cultures.The cabildos were formed mainly from four groups: the Yoruba (the Lucumi in Cuba); the Congolese (Palo in Cuba); Dahomey (the Fon or Arará).
The clave rhythmic pattern is used as a tool for temporal organization in Afro-Cuban music, such as rumba, conga de comparsa, son, mambo (music), salsa, Latin jazz, songo and timba. The five-stroke clave pattern (distributed in groups of 3 + 2 or 2 + 3 beats) represents the structural core of many Afro-Cuban rhythms. [99]
Afro is a genre of Cuban popular music with African themes which gained prominence during the afrocubanismo movement in the early 20th century. [1] [2] It originated in the late 19th century Cuban blackface theatre, where some elements from Afro-Cuban music traditions such as Santería and Palo were incorporated into a secular context.
A politically charged hip-hop song has become the backdrop for the civil unrest that has rocked Cuba this summer. The... View Article The post Afro-Cuban music group’s song is the backdrop of ...
The album captures the rhythmic and melodic patterns that are common to traditional West African and Afro-Cuban music. [5] The musicians involved in AfroCubism already had successful careers through participation in the Buena Vista Social Club or as solo artists. [6] The project has subsequently toured around the world as a successful live show ...
Frank Grillo (born Francisco Raúl Gutiérrez Grillo; December 3, 1909 – April 15, 1984) known professionally as Machito (previously as Macho), was a Latin jazz musician who helped refine Afro-Cuban jazz and create both Cubop and salsa music.
After the Cuban Revolution separated Cuba from the U.S., son, mambo and rumba, along with other forms of Afro-Cuban music contributed to the development of salsa music, initially in New York. [36] The mass popularization of son music led to an increased valorization of Afro-Cuban street culture and of the artists who created it. It also opened ...