Search results
Results from the WOW.Com Content Network
On the first version, the tune is in a standard 32-bar AABA-form, but in the last version, the two last bars of the B-section are dropped. [4] The tune inspired Gunther Schuller to compose variations on Criss-Cross, which premiered on May 17, 1960, and was later released on Jazz Abstractions, featuring Ornette Coleman and Eric Dolphy as ...
II" (the song used for the end credits in "Jupiter Jazz, Pt. II" is "Space Lion") and the finale, "The Real Folk Blues". However, an alternate version of the song entitled "See You Space Cowboy..." plays during the final episode as the prelude to the climax. It appears on the Cowboy Bebop Blue album as a bonus track.
For Musicians Only is a 1958 jazz album by Dizzy Gillespie, Stan Getz and Sonny Stitt incorporating bebop influences. Recorded in Los Angeles, California on October 16, 1956, it has been described as the "real thing, no pretense". Bob Levey, son of drummer Stan Levey, told an interviewer how his father described the session:
Bebop or bop is a style of jazz developed in the early to mid-1940s in the United States. The style features compositions characterized by a fast tempo (usually exceeding 200 bpm), complex chord progressions with rapid chord changes and numerous changes of key, instrumental virtuosity, and improvisation based on a combination of harmonic structure, the use of scales, and occasional references ...
Download as PDF; Printable version; In other projects ... Pages in category "Bebop jazz standards" The following 28 pages are in this category, out of 28 total ...
"Groovin' High" is an influential 1945 song by jazz composer and trumpeter Dizzy Gillespie.The song was a bebop mainstay that became a jazz standard, [1] one of Gillespie's best known hits, [2] and according to Bebop: The Music and Its Players author Thomas Owens, "the first famous bebop recording". [3]
Bebop or bop is a style of jazz developed in the early to mid-1940s in the United States. The style features compositions characterized by a fast tempo (usually exceeding 200 bpm), complex chord progressions with rapid chord changes and numerous changes of key, instrumental virtuosity, and improvisation based on a combination of harmonic structure, the use of scales, and occasional references ...
In 1964, Charles McPherson played it with Carmell Jones on his Prestige album Bebop Revisited! for the Prestige label; In 1976, Barry Harris who was the pianist on the 1964 version played a trio version on his Barry Harris Plays Tadd Dameron - Xanadu Records; In 1982, Chaka Khan covered the tune as part of "Be Bop Medley," on her album Chaka ...