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Meend is an important part of any classical performance; however, it is a technique not possible on a hand-held harmonium often used in musical concerts (or on the santoor). For this reason, traditionalists singing khyal prefer an accompaniment on an instrument such as a sarangi that can perform meend .
A specialized technique called "meend" involves pulling the main melody string down over the bottom portion of the sitar's curved frets, with which the sitarist can achieve a seven-semitone range of microtonal notes (however, because of the sitar's movable frets, sometimes a fret may be set to a microtone already, and no bending would be required).
meend, a technique of singing notes in a fluid manner with one note merging into the next - there are many different kinds of meend; kan-swar, grace notes - the use of grace-notes depends on the raga being performed; andolan, a gentle swing on specific notes, used selectively; gamaka, a heavy to-and-fro oscillation involving two or three ...
It is known for a deep, weighty, introspective sound, in contrast with the sweet, overtone-rich texture of the sitar, with sympathetic strings that give it a resonant, reverberant quality. A fretless instrument, it can produce the continuous slides between notes known as meend ( glissandi ), which are important in Indian music.
From the point of view of Indian classical music, there were also technical concerns with the harmonium, including its inability to produce slurs, gamaka (playing semi-tone between notes) and meend (slides between notes) which can be done in instruments like sitar and sarod, [2] and the fact that, as a keyboard instrument, it is set to specific ...
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
It is played with a bow (known as a "gaz"), with the other hand moving along the strings over the frets. The player may slide the note up or down to achieve the portamento, or meend. The esraj can imitate the "gamak" of vocal music and by using the middle finger one can create "krintan". Roy used sitarbaz, sarodbaz and esrajbaz in his compositions.
Musical technique is the ability of instrumental and vocal musicians to exert optimal control of their instruments or vocal cords in order to produce the precise musical effects they desire. Improving one's technique generally entails practicing exercises that improve one's muscular sensitivity and agility. Technique is independent of musicality.