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Joyful Noise: Poems for Two Voices is a book of poetry for children by Paul Fleischman. It won the 1989 Newbery Medal. [1] The book is a collection of fourteen children's poems about insects such as mayflies, lice, and honeybees. The concept is unusual in that the poems are intended to be read aloud by two people.
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The Children of Mon and Man (Vietnamese: Con cháu Mon Mân) is an epic poem based on Vietnamese folk poetry and mythology, published in 2008 by Vietnamese linguist Bùi Viêt Hoa . [1] The epic is written in the official language of Vietnam, i.e. Vietnamese , and follows the traditional seven-byte poem dimension [ clarification needed ] of the ...
Vietnamese poetry originated in the form of folk poetry and proverbs. Vietnamese poetic structures include Lục bát, Song thất lục bát, and various styles shared with Classical Chinese poetry forms, such as are found in Tang poetry; examples include verse forms with "seven syllables each line for eight lines," "seven syllables each line for four lines" (a type of quatrain), and "five ...
The Voice Kids of Vietnam (Vietnamese: Giọng hát Việt nhí) is a reality television singing competition for children from 6 to 14 years old (9 to 14 years old from 2013 to 2016), based on the concept of The Voice Kids of Holland. It premiered in Vietnam in June 1, 2013 on Vietnam Television (VTV3).
There are two kinds of rhymes in Vietnamese poetry. The first one is called vần giàu (rich rhymes) and the second one is called vần nghèo (poor rhymes). Vần giàu (rich rhymes): when two words have the same final sound and their tones come from the same category. Examples: xanh and cành are rich bằng rhymes (vần bằng giàu).
Dubbed "Vietnam's first Declaration of Independence", [1] it asserts the sovereignty of Vietnam's rulers over its lands. The poem was first dictated to be read aloud before and during battles to boost army morale and nationalism when Vietnam under Lý Thánh Tông and Lý Thường Kiệt fought against two invasions by Song dynasty in 981 and ...
Voice is an active, physical thing in oral poetry. It needs a speaker and a listener, a performer and an audience. It is a bodily creation that thrives in live connection. The voice is the mechanism by which a "poet's voice" comes alive. [1] Reciting a poem aloud the reciter comes to understand and then to be the 'voice' of the poem. [2]