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The English word tabernacle derives from the Latin tabernāculum (meaning "tent" or "hut"), which in ancient Roman religion was a ritual structure. [3] [4] [5] The Hebrew word mishkan implies "dwell", "rest", or "to live in". [6] [7] In Greek, including the Septuagint, the Hebrew is translated σκηνή , itself a Semitic loanword meaning ...
The menorah (/ m ə ˈ n ɔː r ə /; Hebrew: מְנוֹרָה mənōrā, pronounced) is a seven-branched candelabrum that is described in the Hebrew Bible and in later ancient sources as having been used in the Tabernacle and in the Temple in Jerusalem.
Recreation of the bronze laver at Brigham Young University. The instructions given to Moses in the Book of Exodus included the creation of a bronze laver (Hebrew: כיור נחשת kîyōr nəḥōšeṯ), to be sited outside the Tabernacle of Meeting, between the Tabernacle door and the Altar of Burnt Offering, for Aaron, his sons and their successors as priests to wash their hands and their ...
Moses thereupon commanded Bezalel to set about making the Tabernacle, the holy Ark, and the sacred utensils. It is to be noted, however, that Moses mentioned these in somewhat inverted order, putting the Tabernacle last (compare Exodus 25:10, 26:1 et seq., with Exodus 31:1–10).
Model of the Golden Altar. The incense offering (Hebrew: קְטֹרֶת qəṭōreṯ) in Judaism was related to perfumed offerings on the altar of incense in the time of the Tabernacle and the First and Second Temple period, and was an important component of priestly liturgy in the Temple in Jerusalem.
A ner tamid hanging over the ark in a synagogue. In Judaism, the sanctuary lamp is known as a Ner Tamid (Hebrew, “eternal flame” or “eternal light”), Hanging or standing in front of the ark in every Jewish synagogue, it is meant to represent the menorah of the Temple in Jerusalem, as well as the perpetual fire kept on the altar of burnt offerings before the Temple. [2]
These symbols included the menorah, the showbread table, the ark, ritual objects, and the conch. Originally part of the Temple rites, these symbols held significant meaning and became a prominent feature in Jewish art of the period. They served not only as religious symbols but also as emblems of national and communal identity. [15] [16]
When Moses consecrated the Tabernacle in the wilderness, he sprinkled the Altar of Burnt Offering with the anointing oil seven times (Leviticus 8:10–11), and purified it by anointing its four horns with the blood of a bullock offered as a sin-offering, "and poured the blood at the bottom of the altar and sanctified it, to make reconciliation ...