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An Anglican bishop in choir dress: purple cassock, rochet, red chimere and cuffs, tippet, and pectoral cross. Choir dress in Anglicanism traditionally consists of cassock, surplice and scarf (or tippet). [n 1] An academic hood may also be worn. Since 1964 in the Church of England, a cope may be worn at the discretion of the minister. [2]
The color of the mozzetta, which is only worn over a cassock and sometimes other choral vestments, represents the hierarchical rank of the person wearing it.Cardinals wear a scarlet mozzetta, while bishops and those with equivalent jurisdiction (e.g., apostolic administrators, vicars apostolic, exarchs, prefects apostolic, territorial prelates, and territorial abbots, if not bishops) wear an ...
The Roman Pontiff wears a white cassock. Monsignors, bishops and cardinals have what is known as a "choir cassock" for liturgical occasions but this is not worn for everyday wear. [6] [7] Ferraiolo: A full-length cape reaching to the ankles. This is only worn with the cassock on formal Morning dress or white tie occasions.
A white rochet with lace elements, to be worn over a cassock and under a chimere. Thomas Schoen 1903, OCist. A rochet (/ ˈ r ɒ tʃ ə t /) [1] is a white vestment generally worn by a Roman Catholic or Anglican bishop in choir dress. It is virtually unknown in Eastern Christianity. [2]
The pulpit gown, also called pulpit robe or preaching robe, is a black gown worn by Protestant ministers for preaching. It is particularly associated with Reformed churches, while also used in the Anglican , Methodist , Lutheran , Baptist , and Unitarian traditions.
It is a thin band of linen worn over the cassock when not in choir. As part of their choir dress, some communities of Canons wear a mozzetta, either black or purple over the rochet. Outdoors Canons wear a black cloak and hood, but again adaptations have been made to this in some of the communities. Canons also traditionally wore a biretta.
It seems most probable that the surplice first appeared in France or England, from whence its use gradually spread to Italy [citation needed]. It is possible that there is a connection between the surplice and the Gallican or Celtic alb, an ungirdled liturgical tunic of the old Gallican Rite, which was superseded during the Carolingian era by the Roman Rite.
Originally, these robes were made of cast-off or donated material because monks lived ascetic lifestyles. [1] The dyes were used to distinguish their common clothing from other people. [2] In Sanskrit and Pali, these robes are also given the more general term cīvara, which references the robes without regard to color.