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Stoned Immaculate: The Music of The Doors is a tribute album dedicated to the Doors. Producer Ralph Sall gathered an assortment of artists for the record. Unusually, the surviving members of The Doors played on this tribute record. In addition, recordings of Jim Morrison were used posthumously, in the creation of some of the tracks.
The cover art for the album was created by Swiss artist H.R. Giger, known for his design work on the 1979 sci-fi/horror film Alien.Based on a photograph of Harry taken by the renowned photographer Brian Aris, Giger created several variations of the cover (another of which is seen on the album's inner sleeve) in what Harry described as a combination of punk, acupuncture and sci-fi.
It omits "Sunday Girl" and "Rip Her to Shreds" since there are no official promo videos for them, though several tracks not present on the album were included such as Deborah Harry's "Backfired" and "Now I Know You Know" (from her 1981 album KooKoo), "Free to Fall" (from 1986's Rockbird), and Blondie's videos for "The Hardest Part" (1979) and ...
Rockbird was released four years after the split of Blondie in 1982. Harry had largely put her music career on hold during the mid-1980s in order to look after Blondie guitarist and boyfriend Chris Stein, who had been diagnosed with a serious illness.
The band's only album, the self-titled The Wind in the Willows (1968, Capitol Records LP2956), [4] grazed the Billboard Top 200 album chart at #195. The band broke up the following year, after failing to achieve commercial or critical success. Artie Kornfeld, the album's producer, went on to be the music producer of the Woodstock festival in ...
Most of All: The Best of Deborah Harry is a compilation album of recordings by Deborah Harry, released by Chrysalis Records in 1999.. The compilation gathers material from Harry's four solo albums for the Chrysalis label, KooKoo, Rockbird, Def, Dumb & Blonde, and Debravation; and unlike 1998's Deborah Harry Collection, it contains most of the singles issued between the years 1981 and 1993 ...
The song was released as the lead single from her third solo album, Def, Dumb & Blonde, and was the first record Harry released in which she reverted to using Deborah as her name instead of Debbie. "I Want That Man" became a hit in several territories, reaching number two in Australia and on the US Billboard Modern Rock Tracks chart.
After taking a brief hiatus from her solo music career, Harry released the track as the first single from her fourth solo album, Debravation, on June 21, 1993. [1] The single brought her back the attention of US Dance Clubs and peaked at number two on the US Billboard Dance Club Play chart.