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Costumes and Scripts in the Elizabethan Theatres. Edmonton: University of Alberta Press. ISBN 978-0-88864-226-4. Maclennan, Ian Burns (1994). "If I were a woman": A study of the boy player in the Elizabethan public theatre (PhD thesis). Mann, David Albert (1991). The Elizabethan Player: Contemporary Stage Representation. Routledge Library Editions.
This article includes a list of general references, but it lacks sufficient corresponding inline citations. Please help to improve this article by introducing more precise citations. (December 2023) (Learn how and when to remove this message) The Chandos portrait, commonly assumed to depict William Shakespeare but authenticity unknown, "the man who of all Modern, and perhaps Ancient Poets, had ...
The Elizabethan Stage Society was a theatrical society dedicated to putting on productions of drama from the Elizabethan and Jacobean eras, particularly (but not exclusively) those of William Shakespeare. It was founded in 1895 by William Poel.
Edward Alleyn (/ ˈ æ l ɪ n /; 1 September 1566 – 21 November 1626) was an English actor who was a major figure of the Elizabethan theatre and founder of the College of God's Gift in Dulwich. Early life
The Elizabethan Stage, though containing less original discovery than its predecessor, was often referenced to describe the material conditions of English Renaissance theatre. [1] It is no longer considered reliable, since Chambers misrepresents the royal household as an organizational entity in general, and the duties of the Master of Revels ...
Edward Knight (fl. 1613 – 1637) was the prompter (then called the "book-keeper" or "book-holder") of the King's Men, the acting company that performed the plays of William Shakespeare, Ben Jonson, John Fletcher, and other playwrights of Jacobean and Caroline drama.
Detroit’s Fox Theatre has gotten an update nearly a century in the making. For the first time since it opened in 1928, all-new seats have been installed inside the grand, historic downtown venue ...
The first modern performance of the play was on 6 March 1911, when the Elizabethan Stage Society performed Act 2 at the Little Theatre in London. Following this, the BBC broadcast an abridged version of the play in 1963, with complete performances taking place in Los Angeles in 1986 (as part of a season of Shakespeare Apocrypha) and Mold in 1987.