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Look Inside the Asylum Choir is the 1968 debut album by Asylum Choir, a studio group consisting of the session musicians Leon Russell and Marc Benno. Russell arranged the songs, complete with sped-up trumpet section, and multi-tracked himself playing piano, guitar and drums. Benno contributed multi-tracked vocals, guitar and bass guitar. [2]
The Lamb's bright hall of song: Horatius Bonar: Sankey records this as the first gospel song he composed (1874). [7] 432: The Handwriting on the Wall: At the feast of Belshazzar and a thousand of his lords: Knowles Shaw: Sankey's arrangement of Shaw's original tune [8] 436: Oh, give thy heart to Jesus: W.O. Cushing: 438: Look not behind thee; O ...
Essentially a studio musician gathering, the Asylum Choir was formed around 1967 and the group's debut album was issued in 1968. [2] A second album was recorded in 1969, but the album did not see release until late 1971 because of contract disputes. [2]
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Alleluia! Alleluia! Sing a New Song to the Lord; Alleluia! Sing to Jesus; Alma Redemptoris Mater; Angels We Have Heard on High; Anima Christi (Soul of my Saviour) Asperges me; As a Deer; As I Kneel Before You (also known as Maria Parkinson's Ave Maria) At That First Eucharist; At the Lamb's High Feast We Sing; At the Name of Jesus; Attende ...
Asylum Choir II is the second and final album, after the 1968 debut Look Inside the Asylum Choir, of the studio aggregation consisting of Leon Russell and Marc Benno.It was recorded and expected to be released in 1969, but legal issues held up its release for two years.
[11] Typically, karaoke scenes in television will see characters sing only the opening lines, but because of the format of Inside No. 9, the characters in "Empty Orchestra" sing the whole song. [19] Each character sang a song, with the vocals recorded live. For technical reasons, the recording of vocals had to be done without a backing track.
Wesley's original hymn began with the opening line "Hark how all the Welkin rings". This was changed to the familiar "Hark! the Herald Angels sing" by George Whitefield in his 1754 Collection of Hymns for Social Worship. [5] A second change was made in the 1782 publication of the Tate and Brady New Version of the Psalms of David.