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The three unreleased songs were "Wiameah Bay", an instrumental by the Wrecking Crew, and two Rip Chords hot-rod songs ("Sting Ray" and "XKE") which had been in Columbia's vault since 1965. The fourth song was "Red Hot Roadster", originally scheduled for release as a single but instead appearing on the soundtrack of 1965's A Swingin' Summer. [41]
"Three Chords and the Truth", an oft-quoted phrase coined by Harlan Howard in the 1950s which he used to describe country music; Three Chords and the Truth, a 1997 book by Laurence Leamer about the business and lifestyle of country music and its many stars; Three Chords & the Truth, a radio show hosted by Duff McKagan and Susan Holmes McKagan.
"A Little More Country Than That" is a mid-tempo song featuring accompaniment from acoustic guitar and electric guitar, with fiddle and steel guitar fills. In it, the male narrator lists off various rural themes (such as "catching channel cat") each time saying that he is "a little more country than that."
In late-1992, not long after Jane’s Addiction broke up, Jane’s bassist Eric Avery and guitarist Dave Navarro formed the one-off musical project Deconstruction. In 1994, they released their ...
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In music theory, chord substitution is the technique of using a chord in place of another in a progression of chords, or a chord progression. Much of the European classical repertoire and the vast majority of blues, jazz and rock music songs are based on chord progressions. "A chord substitution occurs when a chord is replaced by another that ...
"Three Chords and the Truth" was co-written by Sara Evans, Ron Harbin, and Aimee Mayo. The latter songwriter would later be a frequent collaborator with Evans. [2] [failed verification] The song's plot focuses on lost love and the narrator reconciling with her partner. The song references the famous description of country music by Harlan Howard.
"Better Than I Used to Be" is a song written by Ashley Gorley and Bryan Simpson. The song was originally recorded by American country music artist Sammy Kershaw in 2010 for the album of the same name, released August 31, 2010, on Big Hit Records. [1] The version released by Sammy Kershaw was released as a single, but did not enter the charts.