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Female characters in animated television series (1 C, 214 P) Pages in category "Female characters in animation" The following 150 pages are in this category, out of 150 total.
Gibson Girl, created 1898 Their First Quarrel, 1914. Peddling his pen-and-ink sketches, Gibson sold his first work in 1886 to Life magazine, founded by John Ames Mitchell and Andrew Miller. It featured general interest articles, humor, illustrations, and cartoons. His works appeared weekly in the popular national magazine for more than 30 years.
Vogue, or voguing, is a highly stylized, modern house dance originating in the late 1980s that evolved out of the Harlem ballroom scene of the 1960s. [1] It is inspired by the poses of models in fashion magazines .
Simple graphics, line drawings, cartoons, and grey-scale photographs typically need fewer than 256 colors. Each frame can designate one index as a "transparent background color": any pixel assigned this index takes on the color of the pixel in the same position from the background, which may have been determined by a previous frame of animation.
An iconic Gibson Girl portrait by its creator, Charles Dana Gibson, circa 1891. The Gibson Girl was the personification of the feminine ideal of physical attractiveness as portrayed by the pen-and-ink illustrations of artist Charles Dana Gibson during a 20-year period that spanned the late 19th and early 20th centuries in the United States. [1]
Good Girl Art (GGA) is a style of artwork depicting women primarily featured in comic books, comic strips, and pulp magazines. [1] The term was coined by the American Comic Book Company, appearing in its mail order catalogs from the 1930s to the 1970s, [2] and is used by modern comic experts to describe the hyper-sexualized version of femininity depicted in comics of the era.
Michelle Visage (born Michelle Lynn Shupack, September 20, 1968) is an American television personality, singer, broadcaster, producer, and actress.She gained recognition as a member of the dance-pop group Seduction, who charted five singles on the Billboard Hot 100 between 1989 and 1990.
The film utilized an artistic blend of techniques with still photography as the background in parts, a live-action scene of models with painted faces rendered in negative cinematography, a scene rendered in very limited sketchy animation that was only partly colored, detailed drawing, archival footage, and most characters animated in a ...