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The Santa Maria del Fiore cathedral in Florence possesses the largest brick dome in the world, [2] [3] and is considered a masterpiece of European architecture.. Filippo di ser Brunellesco di Lippo Lapi (1377 – 15 April 1446), commonly known as Filippo Brunelleschi (/ ˌ b r uː n ə ˈ l ɛ s k i / BROO-nə-LESK-ee; Italian: [fiˈlippo brunelˈleski]) and also nicknamed Pippo by Leon ...
Renaissance art (1350 – 1620 [1] ... as the first German artist whose work begins to show Italian Renaissance influences. ... by Filippo Brunelleschi and Leon ...
Filippo Brunelleschi was a leading figure of the early Florentine Renaissance. Initially active as a sculptor, he turned to architecture in the first decade of the 15th century, taking advantage of his travels to Rome to refine his observations on the architecture of ancient monuments, in order to establish practical rules for construction.
The two works that testify to his presence in this city, the Tomb of Giovanni Crivelli at Santa Maria in Aracoeli, and the ciborium at St. Peter's Basilica, bear a strong stamp of classical influence. Brunelleschi also returned several times to find inspiration for what was the Renaissance art. [7]
The transition from Gothic to Renaissance architecture coincides with the construction of the dome of the Florence Cathedral, carried out by Filippo Brunelleschi between 1420 and 1436. The Cathedral, built by Arnolfo di Cambio, was left unfinished by the end of the 14th century; it had a huge hole at the centre, where the dome was meant to be.
Saint Peter is a Apuan marble sculpture of Saint Peter of 2.43 m high. It is attributed to Filippo Brunelleschi and his style is influenced by Donatello.It forms part of a cycle of fourteen statues of the patron saints of the guilds of Florence for the external niches of Orsanmichele. [1]
At the extreme right, a group of four bystanders should personify Masaccio (looking away from the painting), Masolino (the shortest one), Leon Battista Alberti (in the foreground); and Filippo Brunelleschi (the last). The frequent use of portraiture makes the imaginary world of painting and the viewer's personal experience converge.
Cities within Florence's zone of influence, such as Genoa, Milan, and Turin, mainly produced examples later, from the sixteenth century on. [11] Brunelleschi's domes at San Lorenzo and the Pazzi Chapel established them as a key element of Renaissance architecture. [12]