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Asha (/ ˈ ʌ ʃ ə /) or arta (/ ˈ ɑːr t ə /; Avestan: 𐬀𐬴𐬀 Aṣ̌a / Arta) is a Zoroastrian concept with a complex and highly nuanced range of meaning. It is commonly summarized in accord with its contextual implications of 'truth' and 'right' (or 'righteousness'), 'order' and 'right working'.
The Ashem vohu is overall the shortest of the four Gathic manthras. It is dedicated to asha, a central concept of Zoroastrianism. It consists of only twelve words which are arranged in an alliterative fashion. This may have helped ordinary people to more easily remember it. [5]
Zoroastrian music is a genre of religious music that accompanies religious and traditional rites among the Zoroastrian people. Although certain ancient Zoroastrian traditions show a negative approach towards Zoroastrian melodies such as the pre-Islamic pastorals and minstrels, Zoroastrian music has been in the religion since it was founded.
This innermost core includes the 17 chapters of the Gathas, the oldest and most sacred texts of the Zoroastrian canon. Yasna 1–27.12 Yasna 27.13–27.15: three of the four of the most sacred Zoroastrian prayers Yasna 28–34: Gatha 1 Yasna 35–41: the "seven-chapter Yasna" Yasna 43–51,53: Gathas 2–5 (chapters 43–46, 47–50, 51 and 53)
The interactions between Judaism and Zoroastrianism resulted in transfer of religious ideas between the two religions and as a result, it is believed that Jews under Achaemenid rule were influenced by Zoroastrian angelology, demonology, eschatology, as well as Zoroastrian ideas about compensatory justice in life and after death. [211]
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The Sasanian Avesta or Great Avesta refers to the anthology of Zoroastrian literature produced during the Sasanian period. [1] Most of this work is now lost, [2] but its content and structure can be reconstructed from references found in a number of texts from the 9th century onward.
Puthli, an Indian jazz prodigy, was a Studio 54 star and friends with Warhol. Record labels let her down. Fifty years later, she's bigger than ever.