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Asha (/ ˈ ʌ ʃ ə /) or arta (/ ˈ ɑːr t ə /; Avestan: 𐬀𐬴𐬀 Aṣ̌a / Arta) is a Zoroastrian concept with a complex and highly nuanced range of meaning. It is commonly summarized in accord with its contextual implications of 'truth' and 'right' (or 'righteousness'), 'order' and 'right working'.
The Ashem vohu is overall the shortest of the four Gathic manthras. It is dedicated to asha, a central concept of Zoroastrianism. It consists of only twelve words which are arranged in an alliterative fashion. This may have helped ordinary people to more easily remember it. [5]
Zoroastrian music is a genre of religious music that accompanies religious and traditional rites among the Zoroastrian people. Although certain ancient Zoroastrian traditions show a negative approach towards Zoroastrian melodies such as the pre-Islamic pastorals and minstrels, Zoroastrian music has been in the religion since it was founded.
This innermost core includes the 17 chapters of the Gathas, the oldest and most sacred texts of the Zoroastrian canon. Yasna 1–27.12 Yasna 27.13–27.15: three of the four of the most sacred Zoroastrian prayers Yasna 28–34: Gatha 1 Yasna 35–41: the "seven-chapter Yasna" Yasna 43–51,53: Gathas 2–5 (chapters 43–46, 47–50, 51 and 53)
Zoroastrian doctrine holds that, within this cosmic dichotomy, human beings have the choice between Asha (truth, cosmic order), the principle of righteousness or "rightness" that is promoted and embodied by Ahura Mazda, and Druj (falsehood, deceit), the essential nature of Angra Mainyu that expresses itself as greed, wrath, and envy. [11]
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Texts of the Avesta became available to European scholarship comparatively late, thus the study of Zoroastrianism in Western countries dates back to only the 18th century. [16] Abraham Hyacinthe Anquetil-Duperron travelled to India in 1755, and discovered the texts among Indian Zoroastrian communities. He published a set of French translations ...
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