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Brahms recorded in a pocket diary entry written in Thun, Switzerland, in August 1886, that he had set several poems to music, including Klaus Groth's "Wie Melodien zieht es mir leise durch den Sinn" (Like melodies it steals softly through my mind), [1] Hermann Lingg's "Immer leiser wird mein Schlummer" (My slumber grows more and more gentle), [1] Carl von Lemcke's "Verrat / Ich stand in einer ...
Fünf Gesänge (Five songs), Op. 104, is a song cycle of five part songs for mixed choir a cappella by Johannes Brahms. Composed in 1888 when Brahms was a 55-year-old bachelor, the five songs reflect an intensely nostalgic and even tragic mood. Brahms has chosen texts which centre on lost youth, summer turning into fall and, ultimately, man's ...
Various lost arrangements by Brahms of other composers' works see [6] for list A. 3/14-19: Various sketches and sketchbooks see [6] for list A. 5a/1-3: Various collections of folk songs, notated by Brahms see [6] for list A. 5a/4-21: Various transcripts of other composers' works, notated by Brahms see [6] for list A. 5b/1-3: Various autograph ...
An early version of the second movement was first composed in 1854 after Robert Schumann's attempted suicide (and later used in his first piano concerto). Most of the Requiem was composed after Brahms's mother's death in 1865. He added the fifth movement after the 1868 premiere, and in 1869 the final work was published.
Contemporary worship music (CWM), also known as praise and worship music, [1] is a defined genre of Christian music used in contemporary worship. It has developed over the past 60 years and is stylistically similar to pop music. The songs are frequently referred to as "praise songs" or "worship songs" and are typically led by a "worship band ...
Wiegenlied" ("Lullaby"; "Cradle Song"), Op. 49, No. 4, is a lied for voice and piano by Johannes Brahms which was first published in 1868. It is one of the composer's most famous pieces. It is one of the composer's most famous pieces.
Vier ernste Gesänge (Four Serious Songs), Op. 121, is a cycle of four songs for bass and piano by Johannes Brahms. As in his Ein deutsches Requiem , the texts are compiled from the Luther Bible . Three songs deal with death and the transience of life, while the fourth has an outlook of faith, hope and charity .
Since Brahms inserted the fifth movement, the work shows symmetry around the fourth movement, which describes the "lovely dwellings" of the Lord. Movements I and VII begin "Selig sind" (Blessed are), taken from the Beatitudes of the Sermon on the Mount in I, from Revelation in VII. These two slow movements also share musical elements ...