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The Lute Player depicts a young woman in a golden dress with a lute, turned away from the observer, concentrating her attention on the nineteen stringed instrument and listening intently to a note. She may be tuning her lute in anticipation of a concert, as shown by the assortment of recorders, a cornetto and violin, and the song books lying ...
Possible sanxian (left) and pipa, from a 762-827 A.D. painting in the Mogao caves near Dunhuang―Grotto 46 Left interior wall, second panel. Also called cave 112. Also called cave 112. It has been suggested that sanxian , a form of spike lute , may have its origin in the Middle East , and older forms of spike lute were also found in ancient ...
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The Self-Portrait as a Lute Player was created after Gentileschi was married and moved from Rome to Florence after a fourteen-month rape trial against Agostino Tassi. [9] [6] Self-Portrait as a Lute Player and other self-portraits of Gentileschi were painted for private collections and allowed her to express her wit and cultural knowledge. [6]
Lute Player is an early 17th-century painting by French artist Valentin de Boulogne.Done in oil on canvas, the painting depicts a young soldier playing a lute. The painting was originally in the collection of Cardinal Mazarin, and is now in the collection of the Metropolitan Museum of Art, in New York.
Pontormo, The Lute Player (c. 1529–1530), oil on panel, Alana collection, 2017. [1]"A painting by a minor master close to The Lute Player by Pontormo or the Madonna by Fra Angelico, which I rank among the greatest masterpieces in my collection."
The Lute Player is an oil-on-canvas painting from 1623 or 1624 now in the Louvre by the Haarlem painter Frans Hals, showing a smiling actor wearing a jester's costume and playing a lute. This painting was documented by Wilhelm von Bode in 1883, Ernst Wilhelm Moes in 1909 and Hofstede de Groot in 1910, who wrote: 98. A FOOL WITH A MANDOLINE. B ...
Santa Cecilia is an early painting, from c. 1620, by the Baroque painter Artemisia Gentileschi, a painter described as "a grand exception in the history of art - a successful woman painter in an era in which art was dominated by men." [1]