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Follow shot is a specific camera angle in which the subject being filmed is seemingly pursued by the camera, for example by a Steadicam.The follow shot can be achieved through tracking devices, panning, the use of a crane, and zoom lenses resulting in different qualitative images but, nevertheless, recording a subject (performer) in motion.
A type of continuity editorial match involving two or more, sequential shots in which the preceding shot contains an agent (a person, animal, etc.) gazing in the direction of some unseen, off-screen vision, and following shot(s) contains an image presumed by the spectator to be the object of the agent's gaze.
Also one-shot cinema, one-take film, single-take film, continuous-shot film, or oner. A feature-length motion picture filmed in one long, uninterrupted take by a single camera, or edited in such a way as to give the impression that it was. opening credits (for a film) opening shot (for a scene) over cranking over the shoulder shot (OTS)
For example, the filmmaker can start with a shot that establishes a spatial hole and then follow it with a shot of a part of that space, creating an analytical breakdown. The final dimension that an editor has control over is the temporal relation between shot A and shot B. Editing plays a crucial role in manipulating the time of action in a film.
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It is based on the premise that an audience will want to see what the character on-screen is seeing. An eyeline match begins with a character looking at something off-screen, followed by a cut of another object or person: for example, a shot showing a man looking off-screen is followed by a shot of a television.
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If a shot following an earlier shot in a sequence is located on the opposite side of the 180-degree line, then it is called a "reverse cut". Reverse cuts disorient the viewer by presenting an opposing viewpoint of the action in a scene and consequently altering the perspective of the action and the spatial orientation established in the ...